AwardsWatch

Interview: Danielle Pinnock and Rebecca Wisocky, the dynamic duo of ‘Ghosts,’ talk about Alberta and Hetty’s feud coming to an end, character growth and what they want to see next [VIDEO]

Interviews (Film)

Interview: Danielle Pinnock and Rebecca Wisocky, the dynamic duo of ‘Ghosts,’ talk about Alberta and Hetty’s feud coming to an end, character growth and what they want to see next [VIDEO]

Landon Johnson May 22, 2023

Let’s face it. Broadcast television has been struggling since the streaming giants have been on the scene. Only the best sitcoms that can manage to... Read More

AwardsWatch Podcast #183: ‘Fast X’ review, revisiting and ranking the ‘Fast and the Furious’ franchise, plus the first ‘Killers of the Flower Moon’ trailer

Podcasts

AwardsWatch Podcast #183: ‘Fast X’ review, revisiting and ranking the ‘Fast and the Furious’ franchise, plus the first ‘Killers of the Flower Moon’ trailer

Ryan McQuade May 22, 2023

On episode 183 of The AwardsWatch Podcast, AW Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AW contributors Zach Laws and Catherine... Read More

‘How to Have Sex’ review: Molly Manning Walker’s sensational, high-energy debut an equally urgent cautionary tale of consent | Cannes

Nick Ruhrkraut May 22, 2023

If asked to describe How to Have Sex in one word, the answer, however strange, comes easily in the form of a place: an airport.... Read More

‘The Little Mermaid’ review: Halle Bailey’s star-making performance saves the latest Disney live-action remake from floundering

Film Reviews

‘The Little Mermaid’ review: Halle Bailey’s star-making performance saves the latest Disney live-action remake from floundering

Sophia Ciminello May 22, 2023

In his 1836 fairy tale, The Little Mermaid, Hans Christian Andersen states that “mermaids do not have tears, and therefore, they suffer more.” Rob Marshall... Read More

‘May December’ review: Natalie Portman and Julianne Moore make a meal out of Todd Haynes’ delicious story of infamy and obsession | Cannes

Ali Benzekri May 21, 2023

In 2015, Todd Haynes came to Cannes to premiere Carol that received rave reviews and an instant cult classic treatment. He came back to the... Read More

‘Killers of the Flower Moon’ review: Martin Scorsese’s true American crime story of greed, murder and love may be his most empathetic | Cannes

Ali Benzekri May 20, 2023

The biggest event of Cannes this year is the return of Martin Scorsese, 38 years after After Hours. The expectations for Killers of the Flower... Read More

‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes

Ben Rolph May 20, 2023

The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More

‘The Zone of Interest’ review: Jonathan Glazer’s Auschwitz-set drama is monumental in its representation of the seen and unseen horror of the Holocaust | Cannes

Savina Petkova May 20, 2023

Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More

‘The New Boy’ review: Cate Blanchett and Aswan Reid stun in Warwick Thornton’s spiritually dense Aboriginal fable | Cannes

Ali Benzekri May 20, 2023

Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More

Interview: Riley Keough reflects on ‘Daisy Jones and the Six,’ putting in the work and winning the Caméra d’Or on her birthday

Interviews (Film)

Interview: Riley Keough reflects on ‘Daisy Jones and the Six,’ putting in the work and winning the Caméra d’Or on her birthday

Nicole Ackman May 19, 2023

Much like her character Daisy Jones, Riley Keough is not the muse; she’s the somebody. The Amazon television series Daisy Jones and the Six transported... Read More

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