After seeing three different live-action depictions of the Clown Prince of Crime in the past 16 years – including two which won acting Oscars –... Read More
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Following the new release of Godzilla x Kong: The New Empire and the recent history-making win at the Academy Awards with Godzilla Minus One (for... Read More
The Drag Race villain of the season, Dawn, has gotten the boot. Once “Body” began, her chances against the BBL of Miami in a lip... Read More
To celebrate Women’s History Month, this article is the last of three AwardsWatch pieces that focus on the theme of women in film. On April... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
With the MonsterVerse seemingly coming to an “end” with Godzilla vs. Kong, Warner Bros. and Legendary Pictures were saddled with the same creative challenge that... Read More
Today, SFFILM announced the full lineup for the 67th San Francisco International Film Festival (SFFILM Festival), the longest running film festival in the Americas and will include tributes... Read More
There are ways to pay tribute to cinema and television that came before contemporary media that honors the legacy of these narratives while building onto... Read More
The opening credits of the new STARZ limited series Mary & George closes on Artemisia Gentileschi’s 1613 painting Judith Slaying Holofernes, period appropriate for the... Read More
In 2012, Jon Cryer won his second Emmy for playing Alan Harper on one of the most popular sitcoms of the moment, Two and a... Read More

2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
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Director Watch Podcast Ep. 152 – ‘Following’ (Christopher Nolan, 1998)
Ben Schnetzer on Starring in ‘The Madison’ and Working with Michelle Pfeiffer [VIDEO INTERVIEW]
‘The Devil Wears Prada 2’ Review: The Long-Awaited Sequel Proves That Fashion is Always in Vogue [B+]
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
Sweeping Oscars Changes: Academy Says No to AI, Opens International Film Eligibility, Allows Multiple Acting Nods in Same Category
2026 NewFest LGBTQ+ Pride Summer Series to Feature ‘STOP! THAT! TRAIN!,’ Outdoor ‘Heated Rivalry’ Screening and More
‘The People’s Joker’ Review: Vera Drew’s Transgressively Creative Caricature Finds New Angles on the Crazed Clown
All 38 ‘Godzilla’ Movies, Ranked from Worst to Best
RuPaul’s Drag Race Recap S16E13: Family (Resemblance) Matters
Catwoman in Film: Changing Attitudes About Raging Women Clawing Their Way to the Top
Director Watch Podcast Ep. 39 – ‘The Virgin Suicides’ (Sofia Coppola, 1999)
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67th San Francisco International Film Festival (SFFILM) Lineup: Sundance Winner ‘Dìdi,’ ‘Sing Sing,’ Tributes to Chiwetel Ejiofor and Joan Chen
‘Sugar’ Review: Colin Farrell is the King of L.A. Noir in New Sour Apple Series
‘Mary & George’ Review: Julianne Moore is a Machiavellian Mother in the Galitzine Empire
Interview: Jon Cryer on Screwball Comedy, Family Dynamics, and Reconnecting with Multi-cam in NBC’s ‘Extended Family’ [VIDEO]
2026 Chicago Critics Film Festival Reviews: ‘Black Zombie,’ ‘The Last One for the Road,’ ‘Loafers,’ ‘You Had to Be There’
‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations