With DGA under our belts, BAFTA is right around the corner, putting us in the full swing of the real awards season. Despite Sinners’ record-setting... Read More
Other
Black History Month is not only a month where we acknowledge pivotal Black figures throughout history, and a form of acknowledgment that should be year-round,... Read More
Amy Adams gazes just past the camera. Her expression is tired, hollow, as if any additional emotion would already be too much. In this extended... Read More
Over the past decade, Sundance has increasingly become a home for films that resist spectacle in favor of proximity. That sensibility now finds an extension... Read More
After smashing the nominations record with 21 at the Black Reel Awards, Sinners set a new record wins, taking 14 wins including Outstanding Film, Director... Read More
Sinners was the Online Film & Television Association’s choice for the Best Picture of 2025. The film took home a total of ten awards, including Best... Read More
On Episode 333 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and AW contributors Josh... Read More
Smoke hangs heavy over the scorched earth. In the distance, cannon fire rumbles like the aftershocks of a catastrophe that has long since occurred and... Read More
Packed week of films being released the Tuesday post-Valentines, post- President’s Day as major titles from the past look to dominate the must buys this... Read More
Train Dreams has won Best Feature at the 41st Film Independent Spirit Awards, with Clint Bentley also taking home the Best Director prize and lenser... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
41st Film Independent Spirit Awards: ‘Train Dreams’ Takes Best Feature, Director; ‘Adolescence’ Sweeps TV Wins
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]