The Society of Composers and Lyricists (SCL), the leading organization for professional film, television, video game, and musical theater composers and lyricists, announced the winners of the 7th Annual... Read More
Other
Hands grip, thighs clench, leather tightens. Colin (Harry Melling of The Queen’s Gambit and The Ballad of Buster Scruggs) is a parking cop by day and in a... Read More
The Australian Academy Awards (AACTA) have been announced and One Battle After Another has won the international award for Best Film, with Paul Thomas Anderson... Read More
All is quiet on the western front this week with no changes across the board in the rankings from last week but that could all... Read More
The short answers, yes then no. Or maybe. Let’s get into it. It’s a titanic match-up, Paul Thomas Anderson (One Battle After Another) and Ryan... Read More
The story of Cinderella is a tale nearly as old as time, with hundreds of interpretations dating back to Ancient Greece and found around the... Read More
On episode 138 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Morgan Roberts, host of the Female Gaze; The... Read More
South by Southwest today announced over 50 additions to the upcoming 33rd edition of the Film & TV Festival, taking March 12–18, 2026 in Austin,... Read More
You probably know someone in your life who you wish would just get it together. You might love them and they might have an incredible... Read More
Kogonada has expressed many times that one of the most important elements of any film for him is the sense of place. In every single... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Society of Composers and Lyricists (SCL) Winners: ‘KPop Demon Hunters,’ ‘Sinners,’ ‘Train Dreams’ and More
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]