‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet 
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948) 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do 
Film Academy Announces 2025-2026 Nicholl Fellowships 
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23 
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini 
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners 
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
‘Dream Scenario’ Review: Being Nicolas Cage | Toronto
When asked about his fame and his status in being such a meme-worthy actor, Nicolas Cage shared an interesting story. He talked about how he... Read More
Other
‘Concrete Utopia’ Review: Um Tae-hwa’s Dystopian Thriller Remains a Fun Ride Despite Lack of Nuance | Toronto
Sometimes you read the premise of a film and can tell immediately where it’s going to go and what kind of thematic ideas it has... Read More
‘Unicorns’ Review: A Visually Arresting Examination of Desire and Identity with Transcendent Performances by Ben Hardy and Jason Patel | Toronto
When it comes to capturing on-screen horniness well, it’s about more than physical intimacy. It’s also about the atmosphere and body language between the actors.... Read More
‘Perfect Days’ Review: Wim Wenders’ Latest Finds the Beauty in the Mundane | Toronto
Films like Perfect Days are rare to come by. Rather than opting for a clear-cut narrative with dramatic twists and turns, this is a quiet,... Read More
‘A Haunting in Venice’ Review: Poirot’s Latest Case is a Ghostly Good Time
Just a year after the release of the seemingly cursed Death on the Nile, Kenneth Branagh is back with another Hercule Poirot movie, this one... Read More
‘Dicks: The Musical’ Review: A Naughty Bawdy Gaudy Sporty Musical Comedy Out That Alphas the Alphas | Toronto
It can be simultaneously exhilarating and exhausting to watch a film that is so thoroughly on its own wavelength that you have to either get... Read More
‘Mandoob (Night Courier)’ Review: Ali Kalthami’s Nocturnal Debut Feature is a Satisfying Plunge into Saudi Nightlife | Toronto
A few years after Saudi cinema made a splash with Haifa Al Mansour’s Wadjda and the Perfect Candidate, the Kingdom witnessed a major overhaul with... Read More
‘lo Capitano’ Review: Garrone’s Migrant Story is Well Intentioned but Ultimately Slight | Venice
“Mom, I have to go. Look where we live, our house is coming down.” These are the words Seydou, the protagonist of Matteo Garrone’s Io... Read More
Director Watch Podcast Ep. 9 – ‘Enemy’ (Villeneuve, 2014)
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Bradley Cooper’s ‘Maestro’ to Close 2023 AFI FEST
The American Film Institute (AFI) announced that Bradley Cooper’s Maestro will close AFI FEST 2023. Maestro chronicles the love story of the lifelong relationship between... Read More
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948) 
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do