Marty Supreme has won Best Picture from the Midnight Critics Circle (MCC) with star Timothée Chalamet also taking the Best Actor prize. It Was Just... Read More
Other
Probably the most exciting part of low-budget horror filmmaking is that the films tend to latch themselves onto one singular gimmick and take it to... Read More
Over the past twenty years, Ethan Hawke has become nearly as much a part of the Sundance culture as Robert Redford himself. From the Before... Read More
The phrase “a love letter to…” has become such a cliché that it is almost meaningless nowadays, and yet, there is no more apt description... Read More
Some comedies are largely accessible, with great performances and a compelling story that not only keeps the laughs going but makes us come back to... Read More
Jay Duplass’s latest feature, See You When I See You, feels light-years removed from the shaggy, conversational looseness that once defined Mumblecore. Where Duplass’s early... Read More
Andrew Stanton’s career at Pixar once unfolded with the clean inevitability of a well-told parable. He directed A Bug’s Life, Finding Nemo, and WALL•E—films that... Read More
The nominations for the 76th Writers Guild of America (WGA) awards have been revealed in feature film, television, radio and news categories. For film, original... Read More
As one of a select few genres to have sustained its theatrical audience post-pandemic, horror has become a major staple of the contemporary moviegoing culture.... Read More
The Sundance Film Festival has long been a place for emerging filmmakers to introduce themselves and their stories to friendly crowds who love quirky, weird... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture
‘Undertone’ Review: This Pod Means Death in Ian Tuason’s Paranormal Aural Creeper [B+] | Sundance
‘The Weight’ Review: Ethan Hawke is Ever-Reliable in Tension-Free, Depression Era Actioner [B-] | Sundance
‘The Only Living Pickpocket in New York’ Review: John Turturro is Wonderful as a Timeless Anti-Hero with a 1970s Vibe [A-] | Sundance
‘Gail Daughtry and the Celebrity Sex Pass’ Review: We’re Not in Kansas Anymore, Jon Hamm [C+] | Sundance
‘See You When I See You’ Review: Jay Duplass’s Overly Careful Tale of Family Grief Remains at Arm’s Length [C+] | Sundance
‘In the Blink of an Eye’ Review: Andrew Stanton’s Feature Film Return is an Epic, Triptych Timeline Stunner [A] | Sundance
Writers Guild of America (WGA) Nominations: ‘Black Bag,’ Weapons,’ ‘The Chair Company’ and More
Oh the Horror! How the Oscars are Finally Embracing the Spooky
‘Wicker’ Review: Olivia Colman Makes a Real Boy Out of Alexander Skarsgård in Fun, Bawdy Fable [B+] Sundance
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes