Known for crafting edge-of-your-seat documentaries (Free Solo, The Rescue), Elizabeth Chai Vasarhelyi and Jimmy Chin venture into uncharted territory with their first narrative feature, NYAD.... Read More
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Around five years ago, director Jeff Nichols came across a book of photography by Danny Lyon called The Bikeriders, which showed a group of greased... Read More
It’s not even a month since we lost the great William Friedkin. He made history as one of the leading directors of the ‘New Hollywood’,... Read More
Harmony Korine’s Aggro Dr1ft is best described as a perverted Grand Theft Auto-style fantasy. It’s an experimental film to its core, ignoring almost all narrative... Read More
That The Killer is David Fincher’s first film with a runtime under two hours in more than twenty years is a telling sign of its... Read More
Bertrand Bonello has proven to be one of France’s most interesting, unconventional and sometimes idiosyncratic directors. He shocked the film world with Nocturama and Saint... Read More
Yet another complex relationship takes center stage in Bradley Cooper’s follow-up to A Star Is Born. The actor-director premiered his sophomore feature in Venice’s Official... Read More
Most people in the United States know of the 1964 Civil Rights Act that outlawed discrimination based on race, color, religion, sex, and national origin.... Read More
From the opening title cards and credits of Alexander Payne’s latest film, The Holdovers, he instantly transports us back in time by presenting a film... Read More
‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice
‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice
Yorgos Lanthimos is back with a whole new wonderful and wacky creation. Poor Things is a twisted and spellbinding coming-of-age tale that sees Emma Stone... Read More

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‘NYAD’ Review: Annette Bening and Jodie Foster Just Keep Swimming | Telluride
‘The Bikeriders’ Review: Jeff Nichols’ Greaser Gang Takes a Road to Nowhere | Telluride
‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film is Supported by a Sensational Company of Actors | Venice
‘Aggro Dr1ft’ Review: Harmony Korine’s Latest is a Sexist, Crude Grand Theft Auto-style Knockoff | Venice
‘The Killer’ Review: Stop Me If You Think You’ve Heard This One Before | Venice
‘The Beast’ Review: Léa Seydoux and George MacKay Cross Space and Time in Bonello’s Genre-Bending Romance | Venice
‘Maestro’ Review: Bradley Cooper’s Sophomore Film Hits All the Right Notes | Venice
‘Rustin’ Review: Colman Domingo Brings the Civil Rights Legend to Life | Telluride
‘The Holdovers’ Review: Alexander Payne’s Emotional, Charismatic Comedy is his Best Film in Years | Telluride
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)