On December 21, the Academy will reveal the shortlist of 10 contenders who will be eligible to compete for a nomination for Visual Effects. Last... Read More
Other
A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More
Critics’ Choice has announced the nominees for their annual Documentary Awards Sara Dosa’s fated love story Fire of Love led the field with seven nominations... Read More
English writer-director Fridtjof Ryder’s directorial debut is a taut, well-made micro budget feature. After a successful crowdfunding campaign and production moving ahead, Ryder’s film caught... Read More
The remarkable prolificacy of Iranian filmmaker Jafar Panahi, and the even-more-remarkable spirit of subversiveness that has only burgeoned in his work since his arrest and... Read More
Earlier this year, at the 2022 SXSW Film Festival, the world premiere of the Daniel’s Everything Everywhere All at Once blew audiences away, going on... Read More
Martin Scorsese has a knack for documenting New York institutions and illustrating the inner lives of the city’s singular characters. From the brash young Mafiosi... Read More
The 30th anniversary edition of the Hamptons International Film Festival, presented by HamptonsFilm, today announced their award winners for this year’s feature and short film... Read More
Action films and Best Picture. Those have historically been the keys to the Film Editing Oscar, and in many ways, often the other way around.... Read More
Adoption, as a process, has many intricacies, and one of them is the loopholes it leaves open for someone who has been adopted to later... Read More

Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
2023 Oscar Predictions: VISUAL EFFECTS (October)
‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF
‘Fire of Love,’ ‘Good Night Oppy’ lead Critics’ Choice Documentary Awards nominations
‘Inland’ review: Mark Rylance enchants in this realistic yet enigmatic folklore-influenced directorial debut from Fridtjof Ryder | LFF
‘No Bears’ review: Jafar Panahi turns the camera on himself in powerful, subtly playful examination of limits personal, political and artistic | LFF
Interview: ‘Everything Everywhere All at Once’ breakout star Stephanie Hsu on the joy of Joy, working with Michelle Yeoh and if she’s sick of bagels yet
‘Personality Crisis: One Night Only’ review: Martin Scorsese music doc looks at the absurd and the sublime of elusive, forever cool New York Dolls frontman David Johansen | NYFF
‘Close,’ ‘Pray for Our Sinners’ win top awards at 30th Hamptons International Film Festival
2023 Oscar Predictions: FILM EDITING (October)
‘Return to Seoul’ review: Park Ji-Min’s astonishing turn as a magnetic adoptee anchors Davy Chou’s compelling search for meaning | NYFF
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’