It’s not common for me to advise readers to watch a 294-minute limited series in one go. But Scenes from a Marriage, HBO’s new Ingmar... Read More
Other
The Telluride Film Festival was in full swing yesterday with two major world premieres, Reinaldo Marcus Green’s King Richard and Kenneth Branagh’s Belfast, which followed... Read More
Three years after premiering her BAFTA-nominated debut feature, Only You, British filmmaker Harry Wootliff returns to the festival circuit with True Things, a mature and... Read More
Shang Chi and the Legend of the Ten Rings is a vibrant and epic cinematic event the likes of which we haven’t seen since the original Iron... Read More
Isabelle Huppert battles to keep her place in the mayoral office in Thomas Kruithof’s Les Promesses, also known by its English title Promises. It’s a... Read More
Leda, a middle-aged comp-lit professor, arrives at a lavish Greek island accompanied solely by her books. Played by an overwrought Olivia Colman, she frets and... Read More
The two most important lines in Dune come at the very beginning and the very end. First, when Duke Leto (Oscar Isaac) tells princeling son... Read More
A spiky icon and a gentle iconoclast, Diana Spencer occupies a place in the public consciousness of Britain and the rest of the world which... Read More
Inauthenticity has always been a problem in big-budget films produced in Hollywood’s studio system. It’s a well-known fact that most Hollywood films are made by... Read More
“Thank you to my sources of inspiration: Federico Fellini, Talking Heads, Martin Scorsese and Diego Armando Maradona.” When Paolo Sorrentino went on stage to accept... Read More

FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online
Director Watch Ep. 142 ‘The Life and Death of Colonel Blimp’ (Powell and Pressburger, 1943) with Special Guest Bilge Ebiri
‘Rooster’ Review: New Series from ‘Ted Lasso’ Creator Gives Steve Carell Something to Crow About [B-]
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Venice Review: ‘Scenes from a Marriage’ is a worthy retread with staggering performances from Oscar Isaac and Jessica Chastain [Grade: B+]
Telluride Dispatch: ‘Cyrano,’ ‘Belfast’ and ‘King Richard’ make their case in the Oscar race
Venice review: ‘True Things’ cements Harry Wootliff as the master of new British drama [Grade: A-]
5 Takeaways from the Global Press Event for ‘Shang Chi and the Legend of the Ten Rings’
Venice review: Isabelle Huppert rivets in this razor-sharp political drama, ‘Promises (Les promesses)’ [Grade B+]
Venice Review: With ‘The Lost Daughter,’ Maggie Gyllenhaal exposes mother-daughter relations in their vile, discomforting essence [Grade: B]
Venice review: Denis Villeneuve’s ‘Dune’ is a gripping and visually arresting opener to an exciting universe [Grade: A]
Venice review: Kristen Stewart delivers a career-best performance in a fitting and fantastic look at an accidental revolutionary in ‘Spencer’ [Grade: A]
‘Shang-Chi’ is a step forward for Asian representation in studio films; here’s why it’s important right now
Venice Review: ‘The Hand of God’ is Paolo Sorrentino’s sublime masterpiece [Grade: A]
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online