Tsai Ming-liang has become a progressively more esoteric filmmaker since he began his career three and a half decades ago. A lot of his recent... Read More
Other
Train to Busan’s Yeon Sang-ho returns to the low budget mystery thriller genre by adapting his debut graphic novel (Face) into a feature film. The... Read More
If a propaganda film is dull, does it make a sound? Probably not, since the whole point of propaganda is to influence perception, which requires... Read More
Leonardo Di Costanzo’s Elisa is a deliberate and methodical exploration of guilt, memory, and the psychology of extreme acts of violence. At the center is... Read More
It’s always a fun and exciting exercise to see how a videogame gets adapted or reinterpreted on the big screen. Such is the case with... Read More
The 2025 SCAD Savannah Film Festival announced today that acclaimed filmmaker Jon M. Chu will receive the Vanguard Director Award in recognition of his visionary storytelling. Chu will be honored on... Read More
Driver’s Ed is exactly what you would expect from a Bobby Farrelly teenage comedy — awkward, weird, unfunny, and shockingly tame despite all the swearing,... Read More
The underlying theme of the 2025 Venice Film Festival seems to be the moral and ethical dilemmas faced by human beings: the implications of one’s... Read More
Once upon the 1980s there was a little NBCmovie about Kate, a seemingly perfect, beautiful housewife who harbored a dark and disturbing secret—she furtively ate... Read More
Sudden fame would feel unnatural for anyone—let alone Ed Saxberger, an aging post office worker turned native New Yorker. One evening, he returns home from... Read More

DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
‘Star Wars: Episode V — The Empire Strikes Back’ to Close 69th San Francisco International Film Festival (SFFILM) at The Castro Theatre
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
‘Back Home’ Review: In Barely an Hour Tsai Ming-liang Asks ‘What is a Home?’ [B] Venice
‘The Ugly’ (얼굴) Review: In Yeon Sang-ho’s Dark Mystery, It’s the Soul That Needs the Surgery [B+] TIFF
‘Eagles of the Republic’ Review: Behind the Scenes of an Empty, Dull Propaganda Film [C-] TIFF
‘Elisa’ Review: Di Costanzo’s Film is a Story Lost in Its Own Silence [B-] Venice
‘Exit 8’ Review: The Viral Indie Horror Game Stuns on the Big Screen [B+] TIFF
Jon M. Chu to Receive Vanguard Director Award from SCAD Film Festival
‘Driver’s Ed’ Review: Bobby Farrelly’s Middle of the Roadtrip Teen Comedy is Stuck in Neutral [C] TIFF
‘The Sun Rises on Us All’ Review: Cai Shangjun’s Latest is Often an Aimless Take on ‘Past Lives’ [C] Venice
‘Maddie’s Secret’ Review: John Early’s Directorial Debut Isn’t Quite the Gag-Worthy Parody It Should Be [C+] TIFF
‘Late Fame’ Review: Willem Dafoe and Greta Lee Sparkle in Kent Jones’s Fizzled Fable [C+] Venice
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts