Glad I waited until the American Society of Cinematographers (ASC) announced their nominations this morning because they dropped a Cherry bomb on the Oscar race.... Read More
Other
Only Promising Young Woman and The Trial of the Chicago 7 have earned all four main screenplay precursors: BAFTA, BFCA (Critics Choice), Golden Globe and... Read More
The nominations for the 35th American Society of Cinematographers (ASC) were announced on Wednesday for feature films, documentaries and television. The film nominees include Cherry,... Read More
Nomadland, One Night in Miami, Ma Rainey’s Black Bottom and The Father feel like an immovable top 4, even as three of them are adapted... Read More
Sound of Metal, Greyhound and News of the World have shown their strength with both sound guilds – Cinema Audio Society and Motion Picture Sound... Read More
Boys State, Dick Johnson Is Dead, Time also take top prizes Alexander Nanau’s Collective was named outstanding nonfiction feature by the Cinema Eye Honors, in... Read More
Mank and News of the World should be good to go here, they’ve hit what they needed to and Mank looks to be in line... Read More
A peculiar category where there are three pretty clear leaders in Emma., Ma Rainey’s Black Bottom and Mank, who hit CDG, BAFTA and Critics Choice.... Read More
A rich category full of fascinating and complicated work and a shortlist that features three films that focus on traditional Black hair for the first... Read More
Soul, News of the World and Mank are locked in pretty tight here. Then it’s a three-way race for two spots. Or is it four…... Read More

FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online
Director Watch Ep. 142 ‘The Life and Death of Colonel Blimp’ (Powell and Pressburger, 1943) with Special Guest Bilge Ebiri
‘Rooster’ Review: New Series from ‘Ted Lasso’ Creator Gives Steve Carell Something to Crow About [B-]
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
FINAL 2021 Oscar Nomination Predictions: CINEMATOGRAPHY
FINAL 2021 Oscar Nomination Predictions: ORIGINAL SCREENPLAY
American Society of Cinematographers (ASC) like the look of ‘Cherry,’ ‘Lucifer,’ ‘Insecure’
FINAL 2021 Oscar Nomination Predictions: ADAPTED SCREENPLAY
FINAL 2021 Oscar Nomination Predictions: SOUND
‘Collective’ wins Cinema Eye Honor for non-fiction
FINAL 2021 Oscar Nomination Predictions: PRODUCTION DESIGN
FINAL 2021 Oscar Nomination Predictions: COSTUME DESIGN
FINAL 2021 Oscar Nomination Predictions: MAKEUP and HAIRSTYLING
FINAL 2021 Oscar Nomination Predictions: ORIGINAL SCORE
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online