Yorgos Lanthimos is back at the Lido with one of his most fascinating, multi-layered and daring films. In Bugonia, the subversive filmmaker manages to tackle... Read More
Other
Werner Herzog’s irreverent stoicism, which seems to get an ounce cheekier every year, does some heavy lifting in a documentary which might otherwise border on... Read More
Famously for not announcing their lineup until the day before, the Telluride Film Festival list is here, filled with highly anticipated world premieres including Chloé... Read More
Selected as the Opening Film of this year’s Venice International Film Festival’s Orizzonti section, Tereza Nvotová’s Father features an interesting premise, rarely discussed in film,... Read More
The Hamptons International Film Festival (HIFF), presented by Artemis Rising Foundation, announced today its Opening Night selection, David Freyne’s Eternity (US Premiere), with star Elizabeth Olsen in... Read More
If we think about politics in this day and age, our first reaction is probably disgust, disappointment, disillusionment, or outright fear. In a crucial age... Read More
Focus Features has released the first teaser trailer for the highly anticipated new film from Oscar winner Chloé Zhao, Hamnet, an adaptation of the Maggie... Read More
This is the last gasp of ‘good on paper’ predictions. Where most films still haven’t been seen but we bank on a director, a cast,... Read More
Director Jay Roach (Meet the Parents) and Oscar-nominated writer Tony McNamara (Poor Things) had never met before collaborating on a remake of the dark comedy... Read More
At the opening of Jay Roach’s new film The Roses, with Olivia Colman and Benedict Cumberbatch, the married pair are in therapy, asked to read... Read More

76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Television Predictions: Stop Me If You Think That You’ve Heard This One Before
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
‘Bugonia’ Review: Jesse Plemons Gives a Masterful Performance in Yorgos Lanthimos’s Plea for Eco-Empathy [A-] Venice
‘Ghost Elephants’ Review: Werner Herzog Adds Characteristic Existential Poignancy to Entertaining Nature Doc [B] Venice
52nd Telluride Film Festival Lineup: World Premieres of ‘Hamnet,’ ‘Springsteen: Deliver Me From Nowhere,’ ‘Ballad of a Small Player’
‘Father’ Review: Tereza Nvotová’s Examination of a Life Barely Scratches the Surface [C] Venice
33rd Hamptons International Film Festival (HIFF) to Open with ‘Eternity,’ Spotlights on ‘Blue Moon,’ ‘Kiss of the Spider Woman’
‘La Grazia’ Review: Paolo Sorrentino’s Richly Drawn Political Drama of a Leader Who’s Lost his Purpose is One of His Best Films [A] Venice
‘Hamnet’ Teaser Trailer Reveals Chloé Zhao’s Tale of an Untold Love Story with Jessie Buckley and Paul Mescal
2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (August)
Interview: Jay Roach and Tony McNamara on Going to Darkly Comedic Places in ‘The Roses’ and the Viability of the Theatrical Comedy
‘The Roses’ Review: By Any Other Name it Would Still Stink [C-]
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)