It feels like we’ve been telling stories of well-meaning teachers and troubled students since the beginning of time. Everyone is aware that public school systems... Read More
Other
Minutes into Shih-Ching Tsou’s solo debut Left-Handed Girl, I knew I was in good hands. Watching our three female leads sitting at a small cramped... Read More
Yorkshire, England, 1916. Young Lofty (Oliver Briscombe) has the unenviable task of delivering the bad news to the townsfolk that their loved ones have died... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Jim Jarmusch’s Father Mother Sister Brother has won the Golden Lion for Best Film of the 82nd Venice Film Festival from a fractured jury headed... Read More
Tsai Ming-liang has become a progressively more esoteric filmmaker since he began his career three and a half decades ago. A lot of his recent... Read More
Train to Busan’s Yeon Sang-ho returns to the low budget mystery thriller genre by adapting his debut graphic novel (Face) into a feature film. The... Read More
If a propaganda film is dull, does it make a sound? Probably not, since the whole point of propaganda is to influence perception, which requires... Read More
Leonardo Di Costanzo’s Elisa is a deliberate and methodical exploration of guilt, memory, and the psychology of extreme acts of violence. At the center is... Read More
It’s always a fun and exciting exercise to see how a videogame gets adapted or reinterpreted on the big screen. Such is the case with... Read More

Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
‘Steve’ Review: Tim Mielants and Cillian Murphy Redefine Empathy in the “Troubled Student” Genre [B+] TIFF
‘Left-Handed Girl’ (左撇子女孩) Review: Shih-Ching Tsou’s Solo Debut is a Vibrant Mother-Daughter Miracle [A-] TIFF
‘The Choral’ Review: Ralph Fiennes is Pitch-Perfect in Old-Fashioned British Wartime Drama [B] TIFF
Director Watch Podcast Ep. 115 – ‘Early Summer’ (Yasujirō Ozu, 1951)
2025 Venice Film Festival Awards: ‘Father Mother Sister Brother’ Wins Golden Lion, Benny Safdie Named Best Director Amidst Jury Turmoil
‘Back Home’ Review: In Barely an Hour Tsai Ming-liang Asks ‘What is a Home?’ [B] Venice
‘The Ugly’ (얼굴) Review: In Yeon Sang-ho’s Dark Mystery, It’s the Soul That Needs the Surgery [B+] TIFF
‘Eagles of the Republic’ Review: Behind the Scenes of an Empty, Dull Propaganda Film [C-] TIFF
‘Elisa’ Review: Di Costanzo’s Film is a Story Lost in Its Own Silence [B-] Venice
‘Exit 8’ Review: The Viral Indie Horror Game Stuns on the Big Screen [B+] TIFF
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’