“You’re gonna make me cry, I’m not even kidding,” says Dylan O’Brien through a laugh. He’s responding to my congratulations over his performance award at... Read More
Other
Life doesn’t always give us answers – but that doesn’t mean the questions always linger, haunting us at every turn. There is a pain in... Read More
Playing in competition at this year’s Venice Critics’ Week, Yanis Koussim’s Roqia is a rare Middle Eastern genre film that takes narrative risks that mostly... Read More
The opening music for Julian Schnabel’s In the Hand of Dante, an audacious but ruinously messy epic which takes place across seven centuries and has... Read More
This weekend, for two nights, the Television Academy will present Creative Arts Emmys for the best in artisan work for the last year of television.... Read More
For close to one hundred years, Frankenstein has always been a complex, fascinating tale of the moral consequences from man’s decision to create something beyond... Read More
The 52nd Telluride Film Festival has wrapped up and that means it’s time for the AW team to gather and talk about what we saw,... Read More
In January of 2024, Hind Rajab was evacuating her home in the Tel al-Hawa neighbourhood of Gaza City, as ordered by Israeli forces, alongside six... Read More
Eleonora Duse is a name that carries the weight of legend: Te actress who revolutionized theatrical performance in Italy, who captivated audiences across Europe, and... Read More
‘The Stranger’ Review: The Absurdity of Existence Captured in François Ozon’s Newest Film [B] Venice
‘The Stranger’ Review: The Absurdity of Existence Captured in François Ozon’s Newest Film [B] Venice
François Ozon’s cinematic adaptation of Albert Camus’ “The Stranger” is an ambitious, meticulously crafted endeavor, one that seeks to translate the existential rigor and enigmatic... Read More

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2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
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‘My Father and Qaddafi’ Review: Jihan K Crafts a Moving Portrait of Living Under a Regime of Brutality [A-] Venice
‘Roqia’ Review: [B] Venice
‘In the Hand of Dante’ Review: Julian Schnabel’s Less Than Divine Comedy of Errors Belongs in the 9th Circle of Hell [D+] Venice
2025 Creative Arts Emmys Predictions: ‘The Pitt,’ ‘Severance’ and ‘The Studio’ Should Dominate
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‘The Voice of Hind Rajab’ Review: Kaouther Ben Hania’s Harrowing Look at a Palestinian Genocide Flashpoint is the Most Indispensable Film of the Decade [A] Venice
‘Duse’ Review: The Chaos of a Legend is Captured in Pietro Marcello’s Endurance Test of a Costume Drama [C-] Venice
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’