Frontrunner Friday has returned and this time it will be a weekly update of the top 8 categories of films, directors, actors and screenplays in... Read More
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19 year-old Ben Burns (Academy Award nominee Lucas Hedges, Manchester by the Sea) unexpectedly returns home to his family’s suburban home on Christmas Eve morning. Ben’s... Read More
Returning for its 41st year, the Mill Valley Film Festival announced today the first of two official Opening Night films for 2018, Aviron Pictures’ A Private War,... Read More
The Toronto International Film Festival presents this year’s In Conversation With… lineup: Hilary Swank, Mahershala Ali and Maggie Gyllenhaal. Through insightful, dynamic and intimate discussion,... Read More
“I used to have this vision, my life was like a web. The more webs you could have coming from you then the more important... Read More
“When you dance the dance of another, you make yourself in the image of its creator.” The first full trailer for Suspiria from Academy Award-nominee... Read More
The Retrospective and Revivals sections have been announced for the 56th New York Film Festival, taking place September 28–October 14 at the Film Society of... Read More
Since graduating from New York University’s Tisch School of the Arts, Brian A. Kates has edited many acclaimed films, with 14 films selected to premiere... Read More
Festival Street promises four jam-packed days of free activities and a new rooftop party Back for its fifth instalment, the excitement and fun of the... Read More
DEMOCRACY, COMMUNITY, AND CULTURAL HISTORIES ARE AMONGTHIS YEAR’S TOPICS AT THE 2018 TIFF SPEAKER SERIES A series of talks on Look at Me , The... Read More

‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
Fatherland Review: Sandra Hüller and Hanns Zischler are Sensational in Paweł Pawlikowski’s Transcendent Chamber Piece [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Frontrunner Friday: Who’s on top in the 2019 Oscar race ahead of the Fall festivals?
Lucas Hedges returns home in teaser trailer for ‘Ben is Back’
‘A Private War,’ starring Rosamund Pike and Jamie Dornan to open 41st Mill Valley Film Festival
TIFF 2018 In Conversation With…Hilary Swank, Mahershala Ali and Maggie Gyllenhaal
Ben Mendelsohn starts over in trailer for Nicole Holofcener’s ‘The Land of Steady Habits’
Tremble tremble, the ‘Suspiria’ trailer is here with darkness, tears and sighs
NYFF56 Retrospective and Revivals brings The Marriage of Maria Braun, My Dinner with André, Play Misty For Me
Interview: Brian A. Kates, Emmy-nominated editor for ‘The Marvelous Mrs. Maisel’
TIFF 2018 Women’s Rally, Free Screenings and Musical Performances
2018 TIFF Speaker Series Lines Up Emilio Estevez, Cristina Gallego and Ciro Guerra
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes