One of the most commercial and straightforward films of his career, Jia Zhang-ke’s ASH IS PUREST WHITE is accessible but not superficial, entertaining but never... Read More
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[divider style=”normal” top=”20″ bottom=”20″] Ali Abbasi creates the grimmest of faerie tales as two outcasts find love in a hopeless place in this wild, wonderful,... Read More
Survival films can go either way: they can be engaging viewing experiences that expand their scope beyond their basic premise or can be slogs that... Read More
Pawel Pawlikowski’s COLD WAR is one of those films that you can respect but not outright love. Beautifully made but far more slight and bleaker... Read More
[divider style=”normal” top=”20″ bottom=”20″] Rafiki director Wanuri Kahiu comes from a line of strong, forward-thinking women. Her mother, a doctor, was one of the first... Read More
[divider style=”normal” top=”20″ bottom=”20″] Ryan Coogler is the king. Of box office, that is. When his adaptation of the Marvel’s Black Panther comic book series... Read More
LAIKA, the animation studio behind the Academy Award® nominated Kubo and the Two Strings, The Boxtrolls, ParaNorman, and Coraline, announces its fifth and most ambitious... Read More
[divider style=”normal” top=”20″ bottom=”20″] The fracturing of an American family in 1960 is at the center of Wildlife (based on the novel by Richard Ford),... Read More
Kirill Serebrennikov’s LETO is a tribute to music, dreams of youth and the power – and beauty of ambition. Despite a masterful and at times... Read More
[divider style=”normal” top=”20″ bottom=”20″] Rarely do debut features play in competition at Cannes. In fact, of the debut features that played in the festival’s most... Read More

Laura Dern, Carol Burnett, Cameron Crowe Added to TCM Classic Film Festival; Rare ‘Letty Lynton’ Restoration Set
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]
Alana Haim and Mamoudou Athie on Supporting Each Other Through ‘The Drama’
The Oscars Set March Dates for 99th and 100th Academy Awards
Critics Choice Celebration of LGBTQ+ Cinema & Television Honorees: Hannah Einbinder, Dan Levy, Bre-Z, ‘Heated Rivalry’ Creator Jacob Tierney and More
‘Hacks’ Season 5 Review: Happy Days Are Here Again [A]
‘The Serpent’s Skin’ Review: Alice Maio Mackay’s Heart-Wrenching Supernatural Horror Romance Sparks with Visual Flair [A-]
Laura Dern, Carol Burnett, Cameron Crowe Added to TCM Classic Film Festival; Rare ‘Letty Lynton’ Restoration Set
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
Cannes Review: Zhao Tao is a Best Actress Contender in ‘Ash is Purest White’ from Jia Zhang-ke
Cannes Review: ‘Border,’ Ali Abbasi’s thrilling supernatural gothic romance
Cannes Review: Mads Mikkelsen burns up the screen in icy ‘Arctic’
Cannes Review: Pawel Pawlikowski’s bleak and beautiful ‘Cold War’
Cannes Interview: Wanuri Kahiu on her film Rafiki and the future of African cinema
Ryan Coogler Talk Highlights Importance of Visibility and the Business of Filmmaking
Annapurna sets Spring 2019 release for LAIKA’s ‘Missing Link’
Cannes Review: Paul Dano’s assured directorial debut ‘Wildlife’ starring Carey Mulligan and Jake Gyllenhaal
Cannes Review: Kirill Serebrennikov’s arthouse crowdpleaser ‘Leto’
Cannes Review: A.B. Shawky’s gripping and emotional debut ‘Yomeddine’
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]
Alana Haim and Mamoudou Athie on Supporting Each Other Through ‘The Drama’