[divider style=”normal” top=”20″ bottom=”20″] The Romanian meta-drama I Do Not Care If We Go Down in History as Barbarians is the Grand Prize winner of the... Read More
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It’s been less than two years but people have been highly anticipating the follow-up to Barry Jenkins’ Oscar-winning Moonlight, which won Best Picture, Supporting Actor... Read More
[divider style=”normal” top=”20″ bottom=”20″] Outstanding Structured Reality Program is one that sees a lot of repetition year to year. There are only 47 possible nominees... Read More
[divider style=”normal” top=”20″ bottom=”20″] How hard is it to be the host or hostess with the mostess? Outstanding Host for a Reality or Reality-Competition Program,... Read More
If you live in or near the San Francisco Bay Area this month is going to be a real cinephiles dream. Modern Cinema, with the... Read More
The Foreign Language Film Oscar is fully underway with the Berlin and Cannes Film Festivals already providing us with a wealth of contenders and plenty... Read More
Belarus’s Crystal Swan, the first Foreign Language Film submission for the 2019 Oscars This is the official submission list for countries entering the Foreign Language... Read More
[divider style=”normal” top=”20″ bottom=”20″] Man Made takes us into the heart of transgender male (FTM) culture, revealing unexpected truths about gender, masculinity, humanity and love.... Read More
[divider style=”normal” top=”20″ bottom=”20″] We may only be halfway through the year but we’ve already got a handful of high-profile Documentary Feature Oscar contenders and,... Read More
Belarus is the first country out of the gate to officially submit for the Foreign Language Film Oscar race for the 91st Academy Awards with... Read More

Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
‘Tangles’ Review: Julia Louis-Dreyfus Stars in Heartbreaking Yet Beautiful Animated Film Detailing Alzheimer’s with Humor and Pathos [A] Cannes
‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+]
Director Watch Podcast Ep. 155 – ‘Batman Begins’ (Christopher Nolan, 2005) with Special Guest Bob Goochman
‘Hope’ Review: Na Hong-jin’s First Act Monster Mash is Overlong Schlockbuster Core [C-] Cannes
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
‘Barbarians,’ Robert Pattinson among 53rd Karlovy Vary Film Festival Winners
Barry Jenkins shares ‘If Beale Street Could Talk’ first look at Essence Fest with Regina King, Stephan James and KiKi Layne
2018 Emmys: Structured Reality Program
2018 Emmys: Outstanding Host for a Reality or Reality-Competition Program
SFMOMA and SFFILM Present Modern Cinema – Black Powers: Reframing Hollywood
2019 Oscars: The State of the Foreign Language Film Oscar race
2019 Oscars: Official Submissions for the Foreign Language Film Oscar
Interview with T Cooper director of trans bodybuilders doc ‘Man Made’
2019 Oscars: With RBG, Mr. Rogers and Whitney Houston, box office and popularity are shaping the Documentary Feature Oscar race
Belarus enters Foreign Language Film Oscar race first with Karlovy Vary premiere ‘Crystal Swan’
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
‘Tangles’ Review: Julia Louis-Dreyfus Stars in Heartbreaking Yet Beautiful Animated Film Detailing Alzheimer’s with Humor and Pathos [A] Cannes