Following the unexpected successes, both critical and commercial (in its native China at least), of 2018’s Long Day’s Journey Into Night, Bi Gan returns with... Read More
Other
Growing up in an old house means getting used to its little idiosyncrasies, just as you would with any other family member. It’s the one... Read More
From the opening frame of Lynne Ramsay’s fifth feature film, Die My Love, we see a house in shambles. A once promising place full of... Read More
In spite of Iran’s excessively punitive stifling of artistic expression, its filmmakers continue to knock it out of the park even at the risk of... Read More
Four years ago, a tidal wave hit cinema with Julia Ducournau’s second feature film, Titane. Winner of the Palme d’Or at the 2021 Cannes Film... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
For nearly thirty years, audiences around the world have watched one man accept impossible missions while performing ridiculous stunts to save the world from a... Read More
Ratchapoom Boonbunchachoke’s A Useful Ghost, a fable about a man who discovers his wife has been reincarnated in their vacuum cleaner, has won the Critics... Read More
The National Academy of Television Arts & Sciences (NATAS) announced the winners of the 46th Annual Sports Emmy Awards. The ceremony was hosted by Roy Wood Jr., award-winning... Read More
To call the flood of Disney’s live-action remakes of their animated classics cynical would be far, far too generous. Words like “scourge,” “artistically bankrupt,” and... Read More

76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Television Predictions: Stop Me If You Think That You’ve Heard This One Before
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes
‘Sentimental Value’ Review: Joachim Trier Constructs a Searing, Tender Family Drama [A] Cannes
‘Die My Love’ Review: Jennifer Lawrence is Grace Under Fire in the Best Performance of her Career [A] Cannes
‘Woman and Child’ Review: Saeed Roustaee’s Iranian Mother Melodrama Finds a Family Torn Part [A-] Cannes
‘Alpha’ Review: Julia Ducournau’s AIDS Allegory Crumbles Under the Weight of its Repetitive Self-Importance [D-] Cannes
Director Watch Podcast Ep. 100 – ‘The Lord of the Rings: The Two Towers’ (Peter Jackson, 2002)
Light the Fuse: Ranking the ‘Mission: Impossible’ Franchise
2025 Cannes Critics Week Winners: ‘A Useful Ghost,’ ‘Left-Handed Girl’
46th Annual Sports Emmys Wins Lady Gaga Her First Ever Emmy Award
‘Lilo & Stitch’ (2025) Review: Nostalgia Can Only Carry So Far But Stitch Remains a Lovable Rascal [C+]
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)