The first trailer for Mowgli, the second live-action telling of The Jungle Book is here and like its 2016 predecessor it’s going to be a... Read More
Other
[divider style=”normal” top=”20″ bottom=”20″] As with Best Picture, the top of the list remains in tact with Steve McQueen (Widows), Adam McKay (Backseat), Damien Chazelle... Read More
[divider style=”normal” top=”20″ bottom=”20″] I know, I know, it’s laaate. I was going to do May predictions ahead of the Cannes Film Festival and then... Read More
[divider style=”normal” top=”20″ bottom=”20″] The 71st edition of the Cannes Film Festival has ended and with it came the fight with Netflix, causing them to... Read More
Japan’s Hirokazu Kore-eda has won the highest honor from the Cannes Film Festival, the Palme d’Or for Shoplifters. He previously won the Jury Prize for... Read More
[divider style=”normal” top=”20″ bottom=”20″] The International Cinephile Society (of which I am a member) has chosen its own Cannes winner just ahead of the festival’s... Read More
Trying to predict the winners of the Cannes Film Festival is a bit of a crapshoot. It doesn’t seem like it should be, there are... Read More
[divider style=”normal” top=”20″ bottom=”20″] The Un Certain Regard section of the 2018 Cannes Film Festival has given the troll romance film Border (Gräns) its top... Read More
Fresh off his first Oscar nomination at 22-years of age for Call Me By Your Name, Timothée Chalamet and Oscar nominee Steve Carell (Foxcatcher) give... Read More
No one was more surprised than director Gaspar Noé himself when his new film, Climax, was met was near universal raves when it debuted in... Read More

‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
‘All of a Sudden’ Review: Virginie Efira and Tao Okamoto are Luminous in Ryusuke Hamaguchi’s Life-Affirming Wonder [A] Cannes
Cannes 2026: ‘La Gradiva’ Wins Top Critics Week Prize
Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘Fjord’ Review: Cristian Mungiu Takes On Religious and Progressive Extremism in Exceptional Family Drama [A] Cannes
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
The ‘Mowgli’ trailer gives us a major Visual Effects Oscar contender
2019 Oscar Predictions: BEST DIRECTOR (May) – Spike Lee Moves Up
2019 Oscar Predictions: BEST PICTURE (May) – A Star Is Born, The Front Runner enter the top 10
Wrapping Up: Cannes Isn’t Back, It Never Left
2018 Cannes Awards: Kore-eda’s ‘Shoplifters’ Wins Palme d’Or; Spike Lee Takes Grand Prix for ‘BlacKkKlansman’
Lee Chang-dong’s ‘Burning’ Tops ICS Cannes Awards
2018 Cannes Winner Predictions: History in the Making
2018 Cannes: ‘Border,’ ‘Girl,’ win top Un Certain Regard awards
First look at Timothée Chalamet and Steve Carell in ‘Beautiful Boy’
Cannes: Gaspar Noé’s ‘Climax’ Wins Top Director’s Fortnight Prize
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
‘All of a Sudden’ Review: Virginie Efira and Tao Okamoto are Luminous in Ryusuke Hamaguchi’s Life-Affirming Wonder [A] Cannes
Cannes 2026: ‘La Gradiva’ Wins Top Critics Week Prize
Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music