These are actually our first jump into predictions for Foreign Language Film even though we’ve been bouncing them around for months. With the official submission... Read More
Other
[divider style=”normal” top=”20″ bottom=”20″] William Oldroyd’s Lady Macbeth led the 2017 British Independent Film nominations with a field-best 15 today. Armando Ianucci‘s The Death Of... Read More
This year, voting for Animated Feature makes a big change – everyone in the Academy can vote for nominees. This category, like Foreign Language Film... Read More
Adapted Screenplay is a weird category this year. Once you get past our predicted top 5 it’s like pulling teeth to find likely contenders. Even... Read More
‘America. They want someone to love. But they want someone to hate.’ The unbelievably true (?) story of figure skating champion Tonya Harding is on... Read More
Dunkirk stays locked onto the #1 spot in Film Editing once again. This is always an interesting category because the winner usually falls into one... Read More
Blade Runner 2049 remains a solid #1 in Production with a score of 99 this month. No changes in the 2-4 but Phantom Thread comes... Read More
The top three in Visual Effects remain the same from last month: Blade Runner 2049, War for the Planet of the Apes and Star Wars:... Read More
In our third piece analyzing this year’s indie contenders in the Animated Feature Oscar race, we focus on two interesting films. One has a very... Read More
Dunkirk still controls the Sound categories again this month and the top three in both are still: Dunkirk, Blade Runner 2049 and Star Wars: The... Read More

FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
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2026 Oscar Predictions: The Awards Alchemist Predicts the Winners – Part Two
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17th TCM Classic Film Festival to Open with ‘Barefoot in the Park,’ Tributes for Barbara Hershey, Paul Williams
17th TCM Classic Film Festival to Open with ‘Barefoot in the Park,’ Tributes for Barbara Hershey, Paul Williams
New York Film Critics Circle (NYFCC) Announces 2027 Gala Awards Date
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR
2026 Oscar Predictions: The Awards Alchemist Predicts the Winners – Part Two
FINAL 2026 Oscar Predictions: BEST ACTOR
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
2026 Oscar Predictions: The Awards Alchemist Predicts the Winners – Part One
FINAL 2026 Oscar Predictions: CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST SOUND
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: FILM EDITING
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
2018 Oscar Predictions: FOREIGN LANGUAGE FILM (November)
Lady Macbeth, Three Billboards, God’s Own Country Lead 2017 British Independent Film (BIFA) Nominations
2018 Oscar Predictions: ANIMATED FEATURE (November)
2018 Oscar Predictions: THE SCREENPLAYS (November)
The Red-Band ‘I, Tonya’ Trailer is Here
2018 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (November)
2018 Oscar Predictions: PRODUCTION DESIGN and COSTUME DESIGN (November)
2018 Oscar Predictions: VISUAL EFFECTS and MAKEUP & HAIRSTYLING (November)
2018 Oscars: Animated Feature – Analyzing the Oscar chances of indie contenders Loving Vincent and Birdboy: The Forgotten Children
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]