The Shape of Water, Guillermo del Toro’s 1960s woman meets fish fantasy has captured the top prize at the Venice Film Festival, the Golden Lion... Read More
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[divider style=”normal” top=”20″ bottom=”20″] The Venice Film Festival awards will be announced shortly (predictions here) and it will be interesting to see what Annette Bening... Read More
[divider style=”normal” top=”20″ bottom=”20″] The Venice Film Festival wraps up tomorrow with its much-anticipated awards ceremony. As with Cannes and other film festivals, it’s almost... Read More
[divider style=”normal” top=”20″ bottom=”20″] The Creative Arts Emmy Awards are this weekend and that means we’ll have winners in the Guest Acting in a Drama... Read More
No changes in the top spots; Dunkirk leads Original Score once again, Coco is #1 in Animated Feature and Blade Runner 2049 holds onto Visual... Read More
Dunkirk holds the beach in Film Editing, Sound Editing and Sound Mixing as it did last month and again by significant margins. Only Blade Runner... Read More
Blade Runner 2049 continues to top the Cinematography and Production Design charts and Phantom Thread still looms despite not even a single production still or... Read More
The 2017 Creative Arts Emmys are this weekend, Saturday the 9th and Sunday the 10th and we have the list of announced presenters and the... Read More
Unlike the Cannes Film Festival where only critics get their grids, Venice allocates both critic and audience grids to assess how the public and the... Read More
Call Me By Your Name maintains a solid lead in Adapted Screenplay but Last Flag Flying inches up a few more points, it remains a... Read More

Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘Fjord’ Review: Cristian Mungiu Takes On Religious and Progressive Extremism in Exceptional Family Drama [A] Cannes
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
‘The Shape of Water’ Wins Golden Lion for Best Film at Venice Film Festival
10 Performances that Lit Up the Lido at the Venice Film Festival
Predicting the Venice Film Festival Awards: Which Films Will Win Big Tomorrow?
2017 Emmys: Final Winner Predictions in Guest Actor/Actress, Reality Host
2018 Oscar Predictions: ORIGINAL SCORE, ANIMATED FEATURE, VISUAL EFFECTS (September)
2018 Oscar Predictions: FILM EDITING, SOUND EDITING, SOUND MIXING (September)
2018 Oscar Predictions: CINEMATOGRAPHY, PRODUCTION DESIGN, COSTUME DESIGN (September)
2017 Creative Arts Emmys: Presenters and Category List for Two-Night Event
Venice Critics and Audience Grids – Which Films Scored Highest?
2018 Oscar Predictions: THE SCREENPLAYS (September) – Call Me By Your Name, The Post Lead
Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘Fjord’ Review: Cristian Mungiu Takes On Religious and Progressive Extremism in Exceptional Family Drama [A] Cannes
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes