Welcome to the second of our Foreign Language Film series, we analyze the Oscar potential of 7 more contenders from Asia, Europe, and Africa. You... Read More
Other
The BFI London Film Festival kicked off a few days ago and we’re watching over 35 films including 20+ Foreign Language Oscar submissions from Europe,... Read More
In the spirit of “We are all one,” GALECA, the Society of LGBTQ Entertainment Critics (previously known as the Gay and Lesbian Entertainment Critics Association),... Read More
These are the official 2018 Oscar Predictions in Film Editing, Sound Editing and Sound Mixing for October from the Gold Rush Gang. Keep an eye on... Read More
These are the official 2018 Oscar Predictions in Cinematography, Production Design and Costume Design for October from the Gold Rush Gang. Keep an eye on all... Read More
No major changes in Original Score, Visual Effects or Animated Feature this month but Original Score does see some movement. The Shape of Water has... Read More
The lead for Call Me By Your Name in Adapted Screenplay actually managed to get stronger this month, now securing a perfect score of 100.... Read More
From Oscar nominee Dan Gilroy (Nightcrawler) comes the trailer for his latest film, the dramatic thriller Roman J. Israel, Esq. starring two-time Oscar winner Denzel... Read More
The mighty Leo has fallen. After spending the entire year so far at #1 in Supporting Actress, the pick up of I, Tonya by Neon... Read More
Willem Dafoe (The Florida Project) holds onto his #1 spot just as his film is about to open this week and Sam Rockwell (Three Billboards... Read More

Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
‘Tangles’ Review: Julia Louis-Dreyfus Stars in Heartbreaking Yet Beautiful Animated Film Detailing Alzheimer’s with Humor and Pathos [A] Cannes
‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+]
Director Watch Podcast Ep. 155 – ‘Batman Begins’ (Christopher Nolan, 2005) with Special Guest Bob Goochman
‘Hope’ Review: Na Hong-jin’s First Act Monster Mash is Overlong Schlockbuster Core [C-] Cannes
‘The Man I Love’ Review: Rami Malek Gives a Career Best Performance in Ira Sachs’s Ode to Art and Life in 1980s New York [A-] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
2018 Oscars: Analyzing FLF Contenders from France, Germany, Lebanon, Sweden, Egypt, Poland and Ireland
2018 Oscars: Analyzing FLF Contenders from Israel, Russia, Belgium, Morocco, Singapore, Austria and Chile
From A League of Their Own to Top Gun: GALECA Names “Ten Best Films You Never Knew Were LGBTQ”
2018 Oscar Predictions: FILM EDITING, SOUND EDITING, SOUND MIXING (October)
2018 Oscar Predictions: CINEMATOGRAPHY, PRODUCTION DESIGN, COSTUME DESIGN (October)
2018 Oscar Predictions: ORIGINAL SCORE, VISUAL EFFECTS, ANIMATED FEATURE (October)
2018 Oscar Predictions: THE SCREENPLAYS (October) – Call Me By Your Name, Three Billboards Lead
Denzel Washington fights the good fight in first trailer for ‘Roman J. Israel, Esq.’
2018 Oscar Predictions: SUPPORTING ACTRESS (October) – Allison Janney Rules the Roost but here comes Brooklynn
2018 Oscar Predictions: SUPPORTING ACTOR (October) – Dafoe Still #1, Rockwell Rises
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
‘Tangles’ Review: Julia Louis-Dreyfus Stars in Heartbreaking Yet Beautiful Animated Film Detailing Alzheimer’s with Humor and Pathos [A] Cannes