In 2005, while the military’s “Don’t Ask, Don’t Tell” policy was still in effect, Ellis French (two-time Tony Award nominee Jeremy Pope in his first... Read More
A24
We watch movies because we seek entertainment, but at the same time we watch them because we want to be reassured that our world views... Read More
Cameron Bailey, CEO of TIFF, is announced today that Brendan Fraser will receive the TIFF Tribute Award for Performance for his performance in The Whale,... Read More
“Lee Pace is now my long, tall child” Halina Reijn has dedicated decades of her expansive career as an actress of stage and screen. Within... Read More
What can we do with our fickle memories of childhood, especially the ones painting our parents with idealistic brush strokes, as if they were something... Read More
A disarmingly down-the-line film about a repressed artist trying to communicate a little better with the people around her, Kelly Reichardt’s Showing Up is a... Read More
Lukas Dhont’s sophomore feature, Close, is a remarkably well-directed film about childhood grief in a time maybe of its greatest need. It’s a great next... Read More
Men will make you want to rewatch Get Out. Alex Garland’s latest is every bit as frightening and graphic as we might’ve expected (and hoped).... Read More
As time has gone on, and you grow up, one starts to notice that we live in a cynical, harsh world lacking the impulse to... Read More
Life is full of difficult choices that define who we are and what our future will be. Once they are made, there is no going... Read More

‘The Inspection’ Review: Elegance Bratton’s personal exploration of perseverance is led by a transcendent Jeremy Pope [B] | Toronto
‘The Whale’ review: Brendan Fraser’s incredible performance anchors a cathartic, emotional powerhouse [A] | Venice Film Festival
TIFF47: Brendan Fraser to receive TIFF Tribute Award for Performance at Toronto International Film Festival
Interview: ‘Bodies Bodies Bodies’ director Halina Reijn on Gen-Z horror, adopting Lee Pace and being inspired by ‘Who’s Afraid of Virginia Woolf?’
Cannes Review: Paul Mescal plays a troubled father in Charlotte Wells’ delicately stunning debut, ‘Aftersun’ [Grade A-]
Cannes Review: ‘Showing Up’ gets closer to Kelly Reichardt’s creative process than any of her films yet [Grade: A-]
Cannes Review: Lukas Dhont’s ‘Close’ is a delicate coming of age tale with a miraculous debut performance from Eden Dambrine [Grade: A]
Cannes Review: Alex Garland’s thriller ‘Men’ makes its point with half-baked politics [Grade: B]
‘Marcel the Shell with Shoes On’ review: Takes a foothold on your heart and never lets go [Grade: A-] | SXSW
‘Everything Everywhere All at Once’ review: The Daniels return with an off-the-wall multiverse where Michelle Yeoh delivers her best work to date [Grade: B+] | SXSW
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10