‘Pearl’ review: Mia Goth and Ti West deconstruct old Hollywood and take us on a Technicolor trip through a twisted mind [B+] | Toronto
As a full orchestra plays a sweeping Old Hollywood-style melody, a young girl cheerfully goes about her chores on a farm. She feeds the animals,... Read More
A24
‘The Inspection’ Review: Elegance Bratton’s personal exploration of perseverance is led by a transcendent Jeremy Pope [B] | Toronto
In 2005, while the military’s “Don’t Ask, Don’t Tell” policy was still in effect, Ellis French (two-time Tony Award nominee Jeremy Pope in his first... Read More
‘The Whale’ review: Brendan Fraser’s incredible performance anchors a cathartic, emotional powerhouse [A] | Venice Film Festival
We watch movies because we seek entertainment, but at the same time we watch them because we want to be reassured that our world views... Read More
TIFF47: Brendan Fraser to receive TIFF Tribute Award for Performance at Toronto International Film Festival
Cameron Bailey, CEO of TIFF, is announced today that Brendan Fraser will receive the TIFF Tribute Award for Performance for his performance in The Whale,... Read More
Interview: ‘Bodies Bodies Bodies’ director Halina Reijn on Gen-Z horror, adopting Lee Pace and being inspired by ‘Who’s Afraid of Virginia Woolf?’
“Lee Pace is now my long, tall child” Halina Reijn has dedicated decades of her expansive career as an actress of stage and screen. Within... Read More
Cannes Review: Paul Mescal plays a troubled father in Charlotte Wells’ delicately stunning debut, ‘Aftersun’ [Grade A-]
What can we do with our fickle memories of childhood, especially the ones painting our parents with idealistic brush strokes, as if they were something... Read More
Cannes Review: ‘Showing Up’ gets closer to Kelly Reichardt’s creative process than any of her films yet [Grade: A-]
A disarmingly down-the-line film about a repressed artist trying to communicate a little better with the people around her, Kelly Reichardt’s Showing Up is a... Read More
Cannes Review: Lukas Dhont’s ‘Close’ is a delicate coming of age tale with a miraculous debut performance from Eden Dambrine [Grade: A]
Lukas Dhont’s sophomore feature, Close, is a remarkably well-directed film about childhood grief in a time maybe of its greatest need. It’s a great next... Read More
Cannes Review: Alex Garland’s thriller ‘Men’ makes its point with half-baked politics [Grade: B]
Men will make you want to rewatch Get Out. Alex Garland’s latest is every bit as frightening and graphic as we might’ve expected (and hoped).... Read More
‘Marcel the Shell with Shoes On’ review: Takes a foothold on your heart and never lets go [Grade: A-] | SXSW
As time has gone on, and you grow up, one starts to notice that we live in a cynical, harsh world lacking the impulse to... Read More
Producers Guild Awards Nominations for Sports, Children’s and Short-Form Programs 
Wim Wenders to Lead 76th Berlin International Film Festival Jury 
2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December) 
San Diego Film Critics Society (SDFCS) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead