‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
In Clarissa, a group of friends are sitting for lunch at a vacation home in Abraka, Nigeria when their topic of conversation shifts to politics.... Read More

‘After the Hunt’ Review: Despite a Stellar Julia Roberts, Luca Guadagnino’s Latest is a #MeToo Misfire [C-] Venice
2026 Oscar Predictions: SUPPORTING ACTRESS (August)
Luca Guadagnino’s ‘After the Hunt’ to Open 63rd New York Film Festival
2026 Oscar Predictions: SUPPORTING ACTRESS (July)
First Trailer for Luca Guadagnino’s ‘After the Hunt’ with Julia Roberts, Andrew Garfield and Ayo Edebiri
2026 Oscar Predictions: SUPPORTING ACTOR and SUPPORTING ACTRESS (June)
2026 Oscar Predictions: SUPPORTING ACTOR and SUPPORTING ACTRESS (May)
‘Opus’ Review: Ayo Edebiri Fights the Evils of Access Journalism in Frustrating Satirical Thriller That’s More Parvum Than Magnum [C+] – Sundance Film Festival
‘Inside Out 2’ Review: Riley is Growing Up but Pixar Plays it a Bit Too Safe in Solid Sequel
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes