Cannes Review: Xavier Dolan’s ‘Matthias and Maxime’ is an improvement over recent works but still lacks emotional urgency
Xavier Dolan’s latest is cluttered, uneven but well-intentioned film about repressed love In his follow-up…
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Cannes Review: Joon-ho Bong’s ‘Parasite’ is breathtaking and heartbreaking
Joon-ho Bong delivers the best film of the Cannes Film Festival so far Known for…
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Cannes Review: Tarantino’s ‘Once Upon a Time…in Hollywood’ is one of his most nuanced, poignant and entertaining films to date
Quentin Tarantino’s latest is a delicious, subversive and audacious takedown of Hollywood In one of…
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Cannes Review: Gaspar Noé’s ‘Lux Æterna’ makes a mockery of its own message
Is Gaspar Noé’s Lux Æterna a big middle finger to the Time’s Up/Me Too movement?…
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Watch: New ‘Once Upon a Time…in Hollywood’ trailer ahead of Cannes premiere
The world premiere of Quentin Tarantino’s 9th film, Once Upon a Time…in Hollywood is happening…
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Cannes Review: Ira Sachs’ ‘Frankie’ is pretty, vacant
Ira Sachs’ latest is a hollow yet picturesque film on a decaying star In his…
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Cannes Review: ‘Port Authority’ embraces diverse storytelling but is a reminder there’s a long way to go in terms who gets to tell them
I grew up slightly outside the New York City ball and vogue scene with the…
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Cannes Review: Asif Kapadia’s ‘Diego Maradona’ scores as an engrossing doc on the price of fame
Asif Kapadia’s new documentary is an engrossing portrayal of a football legend One of the…
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Cannes Review: ‘The Lighthouse’ Willem Dafoe and Robert Pattinson go toe to toe in Robert Eggers’ impeccably crafted new film
Robert Eggers follows up The Witch by crafting The Lighthouse, a sublimely nightmarish tale about…
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Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a film for the ages
Terrence Malick’s latest is a magnetic, contemplative and epic film that asks big, timely questions…
