‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
In Clarissa, a group of friends are sitting for lunch at a vacation home in Abraka, Nigeria when their topic of conversation shifts to politics.... Read More
‘Government Cheese’ TV Review: David Oyelowo (Barely) Rises Above in 1960s American Dream Comedy That Can’t Decide What It Wants to Be [C-] 
‘The Book of Clarence’ Review: Jaymes Samuel’s Personal Jesus Needs to Separate the Wheat from the Chaff 
‘The Water Man’ review: David Oyelowo’s mystical directorial debut is a heartfelt family adventure 
RLJE Films and Netflix to distribute David Oyelowo’s feature directorial debut ‘The Water Man’ 
Film Review: ‘The Midnight Sky’ feels like a hopeful magnum opus, but falls short of epic odyssey 
George Clooney understands the gravity of a post-apocalyptic Earth in ‘The Midnight Sky’ (trailer) 
First look: Felicity Jones, George Clooney, David Oyelowo in ‘The Midnight Sky’ 
‘Cloverfield Paradox’ Drops Tonight on Netflix: Here’s the Trailer and Poster 
2017 Oscars: Details and Presenters for the 89th Academy Awards 
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future 
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B] 
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+] 
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes