‘Elle’ and Xavier Dolan take top honors at 42nd César Awards
The French version of the Oscars, the César Awards, were held today and Paul Verhoeven’s Elle came away with Best Film and Best Actress for... Read More
it’s only the end of the world
Verhoeven’s ELLE, Ozon’s FRANTZ Lead 42nd César Awards Nominations
[divider style=”solid” top=”20″ bottom=”20″] Newly-minted Oscar nominee Isabelle Huppert and her film Elle led the nominations for the 42nd César Awards, the French Academy Awards.... Read More
2017 Oscars: What You Need to Know about the Foreign Language Film Oscar Finalists
[divider style=”solid” top=”20″ bottom=”20″] When the Academy announced the shortlist of nine films eligible for a Foreign Language Film Oscar nomination next month, plenty of gasps... Read More
2017 Oscars: 9 Foreign Language Films Advance in Oscar® Race; Elle, Neruda Snubbed
[divider style=”solid” top=”20″ bottom=”20″] LOS ANGELES, CA – Nine features will advance to the next round of voting in the Foreign Language Film category for... Read More
Oscar Podcast #39: Cannes Post-Mortem – Dolan, Sonia Braga, Ken Loach and a Defensive Jury
In this 39th Oscar podcast, Gold Rush Gang member Júlia Albuquerque and I break down the winners and losers at this year’s Cannes Film Festival... Read More
2016 Cannes: I, Daniel Blake Wins Palme, Andrea Arnold Wins Third Jury Prize
[divider style=”solid” top=”20″ bottom=”20″] Ken Loach’s I, Daniel Blake took home the coveted Palme D’Or at this year’s Cannes Film Festival. It is Loach’s... Read More
2016 Cannes Film Festival: Almódovar, Dolan, Dardennes Set for Cannes Return
As predicted, this year’s Cannes Film Festival is set to be packed with Cannes superstars like the Dardennes, Pedro Almodóvar, Ken Loach, Xavier Dolan... Read More
DiscussingFilm’s Global Film Critics Awards Nominations: ‘Sinners’ Leads with 20 
Pittsburgh Film Critics Association (PFCC) Winners: 9 Wins for ‘Sinners’ 
Critics Association of Central Florida (CACF) Awards: ‘Sinners’ Wins 7 
Director Watch Podcast Ep. 134 – ‘Dick Tracy’ (Warren Beatty, 1990)