Sundance Review: ‘The Nest’ is an astounding showcase for Carrie Coon
Sean Durkin returns nine years after Martha Marcy May Marlene with a tension-filled slow burn “What do you do for a living?” a cab driver... Read More
jude law
Natalie Portman goes off in ‘Vox Lux’ trailer
From Black Swan to Jackie, Academy Award winner Natalie Portman has exceeded at playing broken women; women on the verge. But get ready for an... Read More
2018 TIFF Adds Neil Jordan’s ‘Greta’ with Isabelle Huppert and Chloë Grace Moretz; Brady Corbet’s ‘Vox Lux’ with Natalie Portman
The Toronto International Film Festival today announced two new films that will premiere as part of the Special Presentations program in September. The World Premiere... Read More
Forum Oscar Poll Results: March 2015 – Joy to the World, Let the Carol-ing Begin
No, it’s not Christmas but two female-led films are jingling all the way up to the top of the Awardswatch Forum Oscar Polls. Joy, starring... Read More
Awardswatch’s Best Actor Nominee Rankings – 2000s Edition
The Best Picture Rankings of the 2000s era nominees proved so popular that we’re back and this time counting down the Best Actor nominees! Awardswatch... Read More
In Search of Lost Time: Looking at the Small Stuff in The Grand Budapest Hotel
Here is a wonderful piece on Wes Anderson’s The Grand Budapest Hotel from one of Awardswatch’s most esteemed members, Alex Bean. It’s featured on his... Read More
Hot Trailer: The Grand Budapest Hotel (Wes Anderson, 2014)
The first trailer for Wes Anderson’s The Grand Budapest Hotel has arrived and in classic Anderson fashion, it’s filled with color, humor, fabulous costuming and... Read More
‘Shōgun,’ ‘Ripley,’ ‘Only Murders in the Building’ Earn Casting Society (CSA) Artios Awards Television Nominations 
Trailer Watch: ‘Unstoppable,’ ‘Paddington in Peru,’ ‘Cruel Intentions,’ ‘Squid Game 2’ and More 
‘Separated’ Review: Errol Morris Hasn’t Forgotten Trump’s Immigration Policy Cruelty and Neither Should We | Chicago International Film Festival 
‘Wallace & Gromit: Vengeance Most Fowl’ Review: There’s No Place Like Gnome | AFI FEST