NYFF Review: In ‘French Exit,’ Michelle Pfeiffer gives a performance for the ages
I don’t know about you but not being able to see my mother in person in over a year thanks to the pandemic has made... Read More
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NYFF Review: Middling modernist myth-making in ‘Atarrabi and Mikelats’
French filmmaker Eugène Green, like many directors, has a distinct style. His characters speak directly to the camera. They stand in the center of the... Read More
NYFF Review: Steve McQueen’s meditative ‘Red, White and Blue’ features a career-defining performance from John Boyega
Over the past few weeks, Steve McQueen has once again taken the world of filmmaking by storm. Coming into the festival season with an impressive... Read More
NYFF Review: ‘The Woman Who Ran’ cannot escape being defined by men
“Seeing cows makes me so sad,” Gam-hee declares as she pokes at a plate of beef in her friend Young-soon’s apartment. She can handle the... Read More
NYFF Review: Passion and performance shine in Chaitanya Tamhane’s ‘The Disciple’
Children think anything and everything is possible. Kids possess the ability to picture a future in which they are astronauts, professional athletes, presidents, rockstars, and... Read More
NYFF Review: Jia Zhangke takes an unfocused look at Chinese history and literature with ‘Swimming Out Till the Sea Turns Blue’
Jia Zhangke’s firmly established himself as one of China’s most exciting, innovative filmmakers, whether it’s in fiction (as 2018’s meditative Ash is Purest White can... Read More
NYFF Review: ‘Isabella’ doesn’t sink or swim—it just floats
Filmmaker Matías Piñeiro has added to his Shakespearean-inspired filmography with Isabella, which is as much a meditation on Measure for Measure as it as an... Read More
NYFF Review: A humble pig gets her time in the spotlight in gripping nature doc ‘Gunda’
Victor Kossokofsky loves to prod at the boundaries of what he can do with documentary cinema — 2018’s Aquarela, for instance, asked its audience to... Read More
NYFF Review: ‘Malmkrog’ is a gorgeous, stately slog through frippery and philosophy
It’s Christmas Eve in the late nineteenth century, and snow coats the grounds of the eponymous Transylvanian manor at the center of Christi Puiu’s three-and-a-half-hour... Read More
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Director Watch Podcast Ep. 56 – ‘Domino’ (Tony Scott, 2005) with guest Brian Tallerico of RogerEbert.com
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