AwardsWatch’s own awards extravaganza, the INOCAs, announced nominations for our 2013 awards with 12 Years a Slave leading the pack with 12 nominations. Gravity and... Read More
stories we tell
Spike Jonze’s Her beat out David O. Russell’s American Hustle for the Writers Guild’s highest honor for original screenplays and set itself up for a... Read More
The Director’s Guild of America has chosen the top five directors of documentary feature films for 2013 and they feature first-timers and old hats. The... Read More
The LAFCA will announce their awards on Sunday, December 8, 2013. Nine of the 11 Gold Rush Gang members have chosen their picks to win... Read More
The National Board of Review have spoken and they love Her. Spike Jonze’s Her, that is. Coming just a day after the New York Film... Read More
In all the frenzy that was the announcement of the NYFCC awards (in fact, they’re still at it as I write this, 270 minutes into... Read More
In what’s often a precursor the Oscar nominations, the International Documentary Association (IDA) nominations for the 2013 IDA Documentary Awards have landed. The IDA will honor... Read More
In an astounding increase of 20% from last year, the eligibility for the Documentary Feature Film Oscar has risen to 151 year. Screeners for all... Read More

AwardsWatch’s INOCA (International Online Cinema Awards) Nominations
WGA Winners: Her and Captain Phillips Win as Hustle and Wolf Tumble
DGA Picks Its Top Five Doc Directors
Gold Rush Gang: Los Angeles Film Critics Association Predictions
National Board of Review Winners: They Love Her, Fruitvale Sails
Best Documentary shortlist announced
The International Documentary Association nominations
151 Documentaries Qualify for Oscar
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes