Horizon: An American Saga – Chapter 1 made only $36 million at the box office, prompting Warner Bros. to yank Chapter 2 from its original... Read More
venice film festival
British director Asif Kapadia has a penchant for the tragedy; his works include a triple threat of documentaries on icons – the tragic loss of... Read More
Love, the second film in Norwegian writer-director Dag Johan Haugerud’s trilogy exploring human connections (Sex premiered this year at the Berlinale and Dreams is still... Read More
All over the world, with the rise of the alt-right, attempts are being made at a daily pace restrict the access to abortion. The landmark... Read More
Two names come to mind on mention of filmmakers who found their feet in the Greek New Wave Cinema movement; Yorgos Lanthimos and Athina Rachel... Read More
Stranger Eyes by Yeo Siew Hua has already made history as Venice’s first ever Golden Lion contender hailing from Singapore, but it is its stylish... Read More
Luca Guadagnino’s Queer, adapted from William S. Burroughs’ novel, opens with a nostalgic nod to Call Me By Your Name, using a splashy blue font... Read More
Five years after Joker (2019) premiered at the Venice Film Festival, where it was awarded the top prize, director Todd Phillips and star Joaquin Phoenix... Read More
We often associate the term dystopia with films or novels, fictional stories detached to some degree from our reality, but perhaps we already reside within... Read More
When we’re asked what scares us the most, one of the answers we’re probably going to give is “I don’t want anything to happen to... Read More

‘Horizon: An American Saga – Chapter 2’ Review: I Think We’ve Seen This Film Before and We Still Don’t Have an Ending | Venice
Interview: Asif Kapadia Breaks Down His Genre-Bending Venice Entry ‘2073,’ AI, and Why He Cast Samantha Morton
‘Love (Kjærlighet)’ Review: First There Was ‘Sex,’ Now Dag Johan Haugerud’s Middle Trilogy Film Looks for What ‘Dreams’ May Come | Venice
‘April’ Review: A Timely and Terrifying Abortion Story in Eastern Europe | Venice
‘Harvest’ Review: Transplanting English to Scottish Locales Does No Favors for Athina Rachel Tsangari’s Adapted Historical Tale | Venice
‘Stranger Eyes’ Review: The First Singapore Venice Competition Title is a Well-Crafted Thriller | Venice
‘Queer’ Review: Daniel Craig is Perfect and Drew Starkey is Revelatory in Luca Guadagnino’s Gay Chiaroscuro of Dreams and Desperation | Venice
‘Joker: Folie à Deux’ Review: Joaquin Phoenix and Lady Gaga Sing and Dance a Deranged Duet of Musical Mischief | Venice
‘2073’ Review: Asif Kapadia Conjures a Taut Sci-Fi Thriller in a Post-Apocalyptic World | Venice
‘I’m Still Here’ Review: Walter Salles Avoids Manipulation to Tell a Moving Story of Family Trauma in the Face of Political Strife | Venice
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10