NYFF63: Jim Jarmusch’s ‘Father Mother Sister Brother’ is the Centerpiece Selection of 63rd New York Film Festival
Film at Lincoln Center has announced Jim Jarmusch’s Father Mother Sister Brother as the Centerpiece selection of the 63rd New York Film Festival, making its North American... Read More
vicky krieps
‘The Dead Don’t Hurt’ Review: Vicky Krieps Rides High in Viggo Mortensen’s Slow, Sparse Western
The Western is a tricky genre to fully define. Whereas horror movies have to have scares and musicals have to have songs, it’s not always... Read More
Director Watch Podcast Ep. 25 – ‘Phantom Thread’ (Paul Thomas Anderson, 2017)
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Oscars: Academy Invites 398 New Members, Including Ke Huy Quan, Dolly De Leon, Keke Palmer, WB CEO David Zaslav
The Academy of Motion Pictures Arts and Sciences (AMPAS) has selected 398 people across all fields and branches of film and filmmaking as new members... Read More
‘Ingeborg Bachmann – Journey into the Desert’ review: Vicky Krieps disappears in Margarethe von Trotta’s elegant return to cinema | Berlinale
Margarethe von Trotta’s latest film is a graceful triumph of modern European cinema. Vicky Krieps is the window into the heart of von Trotta’s film,... Read More
Cannes Review: ‘Corsage’ doesn’t reinvent the genre but Vicky Krieps leads Marie Kreutzer’s Austrian period drama with fragility and forte [Grade: B+]
For her fifth feature, Austrian filmmaker Marie Kreutzer turns to the history books, and more specifically, to a female figure of the 19th century whose... Read More
TIFF Review: ‘The Survivor’ has a knockout performance from Ben Foster, even as it pulls its punches elsewhere [Grade: C+]
Weepy prestige biopics set during the Holocaust are nothing new; they’re the backbone of a robust subcategory of Oscar-hungry films eager for the audience’s attention... Read More
‘Old’ review: M. Night Shyamalan leans into his good and bad tendencies to create his best film in years
An argument can be made that writer/director M. Night Shyamalan is the most polarizing filmmaker working today. Arguments are made by his fans of how... Read More
‘Bergman Island’ review: A Mia Hansen-Løve letter on filmmaking with stellar performances from Vicky Krieps, Tim Roth and Mia Wasikowska [Cannes Review]
Mia Hansen-Løve’s directorial style seems to be less about style or genre and more about mood. Her 2018 travelogue romance film Maya had very little... Read More
Trailer: Get ready to feel ‘Old’ this summer
This summer, visionary filmmaker M. Night Shyamalan unveils Old, a chilling, mysterious new thriller about a family on a tropical holiday who discover that the... Read More
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’ 
2026 Sundance Film Festival: ‘Josephine’ Wins Grand Jury Prize and Audience Award 
Director Watch Podcast Ep. 137 – ‘Je Tu Il Elle’ (Chantal Akerman, 1974) 
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture