‘The Substance’ Review: Demi Moore Delivers an Utterly Fearless Performance in Coralie Fargeat’s Gnarly Examination of How We See Ourselves | Cannes
Admit it. Who of us haven’t stared in the mirror or at old photos of our younger selves and longed to go back to the... Read More
Year: 2024
Interview: Nicholas Galitzine on Newfound Fame, Gratitude, Prince Henry and Everything ‘Red, White & Royal Blue’ [VIDEO]
Amidst the whirlwind of success surrounding Amazon’s Red, White & Royal Blue, I caught up with Nicholas Galitzine, who graciously offered insights into navigating newfound... Read More
Interview: Taylor Zakhar Perez on Latin Representation, the Wedding Cake and Baring All in ‘Red, White & Royal Blue’ [VIDEO]
Taylor Zakhar Perez does not take his status as a celebrity lightly. “I’m a blue collar kid in an extraordinary circumstance in Los Angeles,” much... Read More
‘Horizon: An American Saga – Chapter 1’ Review: Kevin Costner’s Meandering Western Epic is a Cowboy in Search of a Herd | Cannes
Kevin Costner’s first major artistic undertaking since his career boom courtesy of the blockbuster TV series Yellowstone, Horizon: An American Saga, the opening chapter of... Read More
AwardsWatch Podcast Ep. 232: Reviewing ‘Babes’ and Updated 2024 Emmy Predictions
On episode 232 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch TV Editor Tyler Doster to discuss NEON’s latest film, Babes,... Read More
‘Emilia Pérez’ Review: Zoe Saldaña, Selena Gomez and Karla Sofía Gascón are Sensational in Delightfully Unhinged Jacques Audiard Musical | Cannes
It is hard to put Jacques Audiard in one mold. The French director keeps tackling different genres without ever giving you a hint of what... Read More
‘The Balconettes’ Review: Noémie Merlant Lets Loose in Topical, Genre-bending Romp | Cannes
Noémie Merlant first gained universal recognition in Celine Sciamma’s Portrait of a Lady on Fire at the 2019 Cannes Film Festival. Since then Merlant has... Read More
‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes
A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The Card Counter’s elegant harshness and... Read More
‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes
Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim Trier’s The Worst Person in the World in 2021, the... Read More
‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes
Remember the myriad of ways Queen Anne demanded affection from her court in Yorgos Lanthimos’ The Favourite? At one point, Lady Sarah exclaims that “love... Read More
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick 
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+] 
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-] 
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]