It’s easy to look at Christy, the new boxing biopic from journeyman director David Michôd, and expect the most formulaic story: a scrappy fighter from... Read More
Trace Sauveur
There’s not much talking at the beginning of Dust Bunny. The opening 15 minutes of the long-awaited feature-length film from cult favorite TV writer Bryan... Read More
Alex Winter hasn’t directed a narrative feature film since 2015’s Smosh: The Movie. In some sense, you could say we haven’t gotten a real Alex... Read More
You can, of course, leave it to Steven Soderbergh of all people to make a biting and salient drama about the ways we value and... Read More
During the end credits of Roofman, a series of news clips and interviews of people who came into contact with the notorious “Roofman” robber are... Read More
There’s an age-old moviemaking proverb that the new Austin Butler-starring crime thriller Caught Stealing abides by strictly, a sort of promise of destiny that this... Read More
There’s a fitting irony in 2025’s The Fantastic Four: First Steps, Marvel’s latest cinematic take on its so-called “First Family.” It marks the fourth attempt... Read More
In 1978, Richard Donner helped Warner Bros. convince audiences that a man could fly with the Christopher Reeve–starring, groundbreakingly successful Superman. Over the 45-plus years... Read More
When the last three movies in a franchise each earned over $1 billion at the box office, it’s no shock to see a regularly scheduled... Read More
There was a solid 30- to 45-minute period during the first half of 28 Years Later when I was convinced I was watching one of... Read More

‘Christy’ Review: Sydney Sweeney’s Boxer Biopic Has Familiar Filmmaking Genes but a Captivating Central Story of Perseverance [B] TIFF
‘Dust Bunny’ Review: Bryan Fuller’s Hybrid Fantasy-Action-Horror Fable Has an Endearingly Childlike Sense of Enchantment [B] TIFF
‘Adulthood’ Review: Alex Winter’s Suburban Neo-Noir Dark Comedy is Dead on Arrival [C-] TIFF
‘The Christophers’ Review: Ian McKellen is an Irritable, Aging Painter in Steven Soderbergh’s Warm and Funny Chamber Drama About Artistic Integrity [B+] TIFF
‘Roofman’ Review: Channing Tatum Charms but Derek Cianfrance’s Eccentric True Crime Dramedy Puts Too Much Stock in the Fables of Its Subject [C+] TIFF
‘The Fantastic Four: First Steps’ Review: Marvel’s First Family Finally Finds an Enjoyable Stride in their Fourth Portrayal [B]
‘Superman’ Review: James Gunn Reinvigorates the DC Hero with a Splashy Comic-Book Verve [B]
‘Jurassic World: Rebirth’ Review: Gareth Edwards Takes the Dino Franchise Back to B-Movie Basics, For Better or Worse [C]
‘28 Years Later’ Review: Danny Boyle’s iPhone-Shot Zombie Sequel is Audacious, Disjointed, and Bewildering [B]
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