On December 5, 2024, film critic Matt Zoller Seitz published a profile feature for Vulture entitled “Moonlight in the Lion’s Den.” It traces filmmaker Barry... Read More
Trace Sauveur
It’s hard to ask for a more routinely workmanlike filmmaker than James Mangold. Whether working in the realm of mental health drama (Girl, Interrupted), big... Read More
Election fraud. A migrant crime wave. Immigrants eating pets. FEMA exploiting hurricane survivors. The Democrats controlling the weather. These are just a few of the... Read More
On November 9, 1984, Wes Craven’s A Nightmare on Elm Street was released to critical and commercial acclaim, praised for how it leveraged the slasher... Read More
Smile 2, the sequel to 2022’s horror franchise breakout, opens with one of the boldest sequences you’ll find in mainstream cinema this year. We’re re-introduced... Read More
To call Blink Twice an updated, feminist version of Get Out carries a lot of implications all at once—it’s a bit obvious, somewhat reductive, and... Read More
It was only a matter of time before author du jour Colleen Hoover received the film adaptation treatment of one of her novels. Hoover made... Read More
Let this review serve as a warning to you, your friends, and your family: Despicable Me 4 is out, and the Minions have returned to... Read More
The A Quiet Place franchise is the poster child for enjoyably competent yet unremarkable studio horror. With the first two films spearheaded by John Krasinski,... Read More
In a recent red carpet interview, Sam Raimi was asked about the possibility of Spider-Man 4—that is, a continuation of Raimi’s own Spider-Man series with... Read More

‘Mufasa: The Lion King’ Review: If Lion Cubs Could Talk [D]
‘A Complete Unknown’ Review: Chalamet is Great, but Film Succumbs to Familiar Biopic Pitfalls of a Life Collapsed into Montage [C+]
The Parrot Isn’t Saying Anything: How the 2024 U.S. Election Has Proven ‘Under the Silver Lake’ to be Right All Along
‘Shocker’ at 35: Wes Craven’s Beautifully Bonkers Thriller About an Electric Serial Killer Lives On As an Underrated Gem [Retrospective]
‘Smile 2’ Review: Light Up Your Face with Gladness; Parker Finn’s Horror Franchise Sequel is Overly Familiar but Boasts an Impressive Sense of Style
‘Blink Twice’ Review: Zoë Kravitz’s Feminist ‘Get Out’ is Righteously Angry and Frustratingly Derivative
‘It Ends With Us’ Review: Maybe We Should Have Kept Colleen Hoover on BookTok
‘Despicable Me 4’ Review: Super Minions, Gru Jr, and a Cockroach Man Clear the Low-Quality Bar Set by this Hyperactive Franchise
‘A Quiet Place: Day One’ Review: Lupita Nyong’o Dodges Aliens with Her Cat While Looking for Pizza in Competent Yet Unremarkable Prequel
20 Years Later, ‘Spider-Man 2’ is Still the Most Human Superhero Movie Ever Made [Retrospective]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10