Premiering in the Cannes Classics section of the fest’s 77th edition, FAYE, Laurent Bouzereau’s documentary on Hollywood icon Faye Dunaway, is very much the standard-issue... Read More
Cannes Film Festival
And so we say au revoir to another Cannes Film Festival. The closing film of the prestigious festival was the newest outing from animation powerhouse;... Read More
With what is only her fourth feature film, French filmmaker Justine Triet has made a strong call for award recognition. After her 2019 Cannes Main... Read More
The concept of a chimera, however colloquialized, still remains a bit too abstract to pin down. If one approaches Alice Rohrwacher’s fourth feature, La Chimera,... Read More
For her first feature film in over 10 years, Catherine Breillat made the surprising choice of adapting Queen of Hearts, May El Toukhy’s Danish provocative... Read More
Have you ever cried when you tasted something for the first time? In The Pot Au Feu, the most mouth-watering edition to this year’s Cannes... Read More
From northern Senegal and director Ramata-Toulaye SY comes one of the most visually stunning films out of the Cannes lineup this year: Banel & Adama.... Read More
Over the last few years, a strong ascension of Moroccan cinema started taking shape on an international scale, with the effective participation of major fresh... Read More
With an explosion of pastel colours, precise camera moves and a whimsical script, Asteroid City is Wes Anderson operating at his best, still doing his... Read More
King Henry VIII’s last wife steps into the forefront in Firebrand, Karim Aïnouz’s English-language debut. Alicia Vikander stars as the quietly rebellious Catherine Parr, Queen... Read More

‘FAYE’ Review: Laurent Bouzereau Finds Morsels of Truth in one of Hollywood’s Most Venerable and Vilified Stars | Cannes
‘Elemental’ review: Pixar’s chemical romance simmers with creative spark in a tale as old as time | Cannes
‘Anatomy of a Fall’ review: Justine Triet’s courtroom drama features an impeccable performance from Sandra Hüller at the helm | Cannes
‘La Chimera’ review: Alice Rohwacher’s most accomplished work to date digs into life, love, and grave-robbing | Cannes
‘Last Summer’ review: Catherine Breillat grounds her provocative romance with truth and a staggering performance from Léa Drucker | Cannes
‘The Pot Au Feu’ review: Trần Anh Hùng offers a feast for the eyes but is missing a key ingredient | Cannes
‘Banel & Adama’ review: An imperfect yet visually stunning directorial debut from Ramata-Toulaye SY | Cannes
‘Kadib Abyad (The Mother of All Lies)’ review: Asmae El Moudir stunningly recreates a buried Moroccan past | Cannes
‘Asteroid City’ review: Wes Anderson’s homage to Steven Spielberg is among his most meta and most melancholic | Cannes
‘Firebrand’ review: Karim Aïnouz doesn’t give much room for Alicia Vikander’s rebellious queen and Jude Law’s corpulent king to subvert expectation | Cannes
‘Stray Embers’ Directors Erin Brethauer and Tim Hussin Look at California’s Deadliest Wildfire Through the Eyes of a Selfless Hero
‘La Gradiva’ Review: Marine Atlan’s Coming of Age Story Debut Erupts with Keen Observation [A]
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2027 ACE Eddie Awards Set Key Dates and Timeline