[divider style=”normal” top=”20″ bottom=”20″] Gaya Jiji’s directorial debut MY FAVORITE FABRIC is an undercooked, lacking melodrama that takes points for being one of the rare... Read More
Film Reviews
One of the most commercial and straightforward films of his career, Jia Zhang-ke’s ASH IS PUREST WHITE is accessible but not superficial, entertaining but never... Read More
[divider style=”normal” top=”20″ bottom=”20″] Ali Abbasi creates the grimmest of faerie tales as two outcasts find love in a hopeless place in this wild, wonderful,... Read More
Survival films can go either way: they can be engaging viewing experiences that expand their scope beyond their basic premise or can be slogs that... Read More
Pawel Pawlikowski’s COLD WAR is one of those films that you can respect but not outright love. Beautifully made but far more slight and bleaker... Read More
[divider style=”normal” top=”20″ bottom=”20″] The fracturing of an American family in 1960 is at the center of Wildlife (based on the novel by Richard Ford),... Read More
Kirill Serebrennikov’s LETO is a tribute to music, dreams of youth and the power – and beauty of ambition. Despite a masterful and at times... Read More
[divider style=”normal” top=”20″ bottom=”20″] Rarely do debut features play in competition at Cannes. In fact, of the debut features that played in the festival’s most... Read More
[divider style=”normal” top=”20″ bottom=”20″] Kena, short for Makena (played by Samantha Mugatsia) lives in the Slopes district of Nairobi, Kenya with her at-home mom and... Read More
In his follow-up to the Oscar-nominated EMBRACE OF THE SERPENT, Colombian director Ciro Guerra teams up with director Cristina Gallego to deliver a remarkable feature about... Read More

Cannes Review: Gaya Jiji’s glacially paced tale of sexual repression ‘My Favorite Fabric’
Cannes Review: Zhao Tao is a Best Actress Contender in ‘Ash is Purest White’ from Jia Zhang-ke
Cannes Review: ‘Border,’ Ali Abbasi’s thrilling supernatural gothic romance
Cannes Review: Mads Mikkelsen burns up the screen in icy ‘Arctic’
Cannes Review: Pawel Pawlikowski’s bleak and beautiful ‘Cold War’
Cannes Review: Paul Dano’s assured directorial debut ‘Wildlife’ starring Carey Mulligan and Jake Gyllenhaal
Cannes Review: Kirill Serebrennikov’s arthouse crowdpleaser ‘Leto’
Cannes Review: A.B. Shawky’s gripping and emotional debut ‘Yomeddine’
Cannes Review: Wanuri Kahiu’s touching if familiar lesbian romance ‘Rafiki’
Cannes Review: Ciro Guerra and Cristina Gallego’s immersive and unforgettable ‘Birds of Passage’
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale