Glorious Summer is a well-lensed, intriguing odyssey into a sun-drenched hellscape. In its own way, it shows that much as life away from the commonplace... Read More
Film Reviews
You’d be pretty hard-pressed to find a post-apocalyptic film that doesn’t feel cobbled together from a storied history of derivative parts. Stories of loners, families,... Read More
The horror genre is arguably the most forgiving genre when it comes to reinventing the chainsaw, as in you really don’t have to do much... Read More
What do you get when you mix fatherhood anxiety with male loneliness and a touch of aliens? The result is Descendent, a thoughtful piece of... Read More
The Baltimorons is Jay Duplass’ first original feature film in 14 years. One half of the American independent cinema duo heavyweights of the aughts and... Read More
In my first dispatch for the 2025 SXSW Film Festival, I take a look at three of the headliners from the festival line-up that features... Read More
I’ve always been scared my eventual life partner would kill me. Perhaps not in the traditional sense of being murdered, but the loss of life... Read More
The blinding darkness of a forest hides the blood-suckers. Trees shoot from the ground and extend themselves towards the sky, the tops a canopy for... Read More
It’s a pretty sad commentary on the state of Hollywood filmmaking that the only types of comedies being produced with consistency are hyphenated. Comedy-dramas, horror-comedies,... Read More
Early in Black Bag, Steven Soderbergh’s taut new espionage thriller doubling as a domestic and workplace romance, intelligence officer George Woodhouse (Michael Fassbender) finds a... Read More

‘Glorious Summer’ Review: Helena Ganjalyan and Bartosz Szpak Create a Gilded Cage of False Freedom in Richly Lanthimosian Odyssey [B+] | SXSW
‘40 Acres’ Review: A Familiar Post-Apocalypse Setting Gives Way to Socio-Political Critique and Cannibal Horror [B+] | SXSW
‘Clown in a Cornfield’ Review: Scream Queens and a Killer Joker Slash Their Way Through Clever Horror Throwback [B] | SXSW
‘Descendent’ Review: A Moving and Reflective Tale of Fatherhood, Male Loneliness, and Aliens [B+] | SXSW
‘The Baltimorons’ Review: Jay Duplass Returns with an Endearing, Bittersweet Christmas Eve Romance [B] | SXSW
SXSW 2025 Reviews: ‘Another Simple Favor,’ Death of a Unicorn,’ ‘The Accountant 2’
‘Together’ Review: Dave Franco and Alison Brie Dare and Delight in a Blood-Soaked Flesh for Fantasy [A-] | SXSW
‘The True Beauty of Being Bitten by a Tick’ Review: Maybe the Real Treasure Was the Parasites We Made Along the Way [B+] | SXSW
‘Novocaine’ Review: A Winning Jack Quaid is Comfortably Numb in Painless Action-Comedy [C+]
‘Black Bag’ Review: Sex, Spies, and Videotape [B+]
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films