Fresh off a well-deserved Orizzonti Award win for Best Screenplay at the Venice Film Festival, Scandar Copti’s Happy Holidays lands at TIFF and does not... Read More
Film Reviews
A car passes along a dark road at night, then stops when a body appears. The driver, dressed like Missy Elliot in the music video... Read More
The most successful actor-turn-directors tend to be those who have a clearly-defined voice that they are able to transfer from in front of the camera... Read More
Award-winning cinematographer Rachel Morrison (the first woman ever Oscar-nominated for cinematography) makes her feature debut with The Fire Inside, an earnest yet conventional picture that... Read More
“Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)” So goes Walt Whitman’s classic poem “Song of Myself.”... Read More
Every year, the Toronto International Film Festival has a handful of small scale science fiction relationship dramas, all hoping to be the next Eternal Sunshine... Read More
With endless franchises and origin stories, it is rare to encounter a film that brings a fresh perspective to both. Transformers One, the new animated... Read More
Life can be a series of question marks that are never resolved. We may forever wrestle with the possibilities and scenarios, but we are never... Read More
Sister Barnes and Sister Paxton are doing missionary work for the Mormon Church. Paxton (Chloe East from The Fabelmans) is a sweet, bubbly chatterbox, while... Read More
If you thought the streaming era finally helped people get over their fear of the one-inch barrier of subtitles, Hollywood hasn’t received the same memo.... Read More

‘Happy Holidays’ Review: Scandar Copti’s Winning Screenplay Offers an Unflinching Look at the Impossibilities of Integration | TIFF
‘On Becoming a Guinea Fowl’ Review: Rungano Nyoni Blends Fantasy and Reality in Daring Story of Generational Trauma and Relief | TIFF
‘The Deb’ Review: Not Quite a Rebel Yell But Wilson’s Dynamic Directorial Debut Delights | TIFF
‘The Fire Inside’ Review: Rachel Morrison’s Directorial Feature debut is a Sincere Yet Unremarkable, By-the-Numbers Sports Biopic | TIFF
‘The Life of Chuck’ Review: Mike Flanagan’s Offbeat Stephen King-Based Tom Hiddleston Drama Mostly Hits the Mark | TIFF
‘All of You’ Review: Brett Goldstein and Imogen Poots’ Chemistry Can’t Save an Underdeveloped, Badly Paced Sci-Fi Romance | TIFF
‘Transformers One’ Review: Josh Cooley’s Funny, Cool Cybertron Prequel Finds Chris Hemsworth in his Optimistic Prime
‘Việt and Nam’ Review: Trương Minh Quý’s Haunting and Melancholic Look at a Country Struggling with its Past | TIFF
‘Heretic’ Review: Hugh Grant is a Creep and a Weirdo in Deviously Devilish Debate About Religion | TIFF
‘Speak No Evil’ Review: James McAvoy Stars as a Sexy Villain in Remake That’ll Make You Scream
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Television Predictions: Stop Me If You Think You’ve Heard This One Before
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films