French auteur Jacques Audiard’s Emilia Pérez took the Cannes Film Festival by storm, winning the Jury Prize as well as the Best Actress award, shared... Read More
Film Reviews
From the moment Jason Reitman’s Saturday Night begins, the clock is ticking as it leads up to the first ever taping of Saturday Night Live,... Read More
When we’re asked what scares us the most, one of the answers we’re probably going to give is “I don’t want anything to happen to... Read More
Colson Whitehead’s Pulitzer Prize-winning novel, “The Nickel Boys,” begins with an arresting line: “Even in death, the boys were trouble.” When archaeology students unearthed dozens... Read More
It took two powerhouse actresses, a story about death, and the lure of a bold new challenge to finally coax Pedro Almodóvar into making his... Read More
If Megalopolis were half decent, it might look a lot like The Brutalist. While this review solely focuses on the latter, the two films just... Read More
The harsh sound of glass breaking.“Shit!,” we hear a woman exclaim while the opening scene soars over night-time Manhattan. Blinds slide down over some French... Read More
“I took my team through the mud,” said Edward Berger to a packed audience before the world premiere of his latest film, Conclave, on the... Read More
Justin Kurzel is no stranger to the world of crime after making Snowtown, The True History of the Kelly Gang and Nitram. The Australian director... Read More
The great historian Eric Hobsbawm called the 20th century “the short twentieth century”, as he believed that this particular century concentrated its main chain of... Read More

‘Emilia Pérez’ Review: Women on the Verge of a Nervous Breakdance | Telluride
‘Saturday Night’ Review: Cocaine, Mom Jokes and a Race Against the Clock Punctuate Jason Reitman’s Tribute to the First Night of ‘SNL’ | Telluride
‘I’m Still Here’ Review: Walter Salles Avoids Manipulation to Tell a Moving Story of Family Trauma in the Face of Political Strife | Venice
‘Nickel Boys’ Review: RaMell Ross’ Audacious Colson Whitehead Adaptation is a New American Masterpiece | Telluride
‘The Room Next Door’ Review: Pedro Almodóvar’s Rumination on Death is an Actress Extravaganza for Tilda Swinton and Julianne Moore | Venice
‘The Brutalist’ Review: Adrien Brody Gives a Shattering Performance in the Cinematic Event of the Year | Venice
‘Wolfs’ Review: Brad Pitt and George Clooney Deliver the Ultimate (and Wholesome) Face Off in Jon Watts’ Exciting New Thriller | Venice
‘Conclave’ Review: The Audacity of Pope | Telluride
‘The Order’ Review: Jude Law and Nicholas Hoult Face Off in Justin Kurzel’s Hard Boiled Character Study | Venice
‘Campo di Battaglia (Battlefield)’ Review: A Great Alessandro Borghi Can’t Find the Cure for a Dull, Underwritten War Drama | Venice
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10