‘The Dead Don’t Hurt’ Review: Vicky Krieps Rides High in Viggo Mortensen’s Slow, Sparse Western
The Western is a tricky genre to fully define. Whereas horror movies have to have scares and musicals have to have songs, it’s not always... Read More
Film Reviews
‘To a Land Unknown’ Review: Mahdi Fleifel’s Thriller about Stranded Palestinian Refugees is Powerful and Unpretentious | Cannes
Mahdi Fleifel’s directorial debut in fiction, To a Land Unknown, follows the harrowing journey of Chatila (Mahmood Bakri) and Reda (Aram Sabbah), two Palestinian cousins... Read More
‘Bird’ Review: Andrea Arnold’s Fable is Salvation in Pure Cinematic Form | Cannes
British filmmaker Andrea Arnold has always been interested in humans: the way they live, love, and carry their wounds through a world that is not... Read More
‘Baby’ Review: Marcelo Caetano’s Coming of Age Story is a Thoughtful Look at Predatory Power | Cannes
Cannes Critics’ Week selection Baby tells the heartbreaking coming-of-age story of a young man desperately in search of a father figure and systematically failed by... Read More
‘All We Imagine as Light’ Review: Mumbai Comes Alive in Payal Kapadia’s Complex ‘Little Women’-esque Portrait of Sisterhood | Cannes
Mumbai is alive in Payal Kapadia’s stunning second feature All We Imagine as Light. It’s a boundless shape-shifter, always moving its millions of disparate parts,... Read More
‘Misericordia’ Review: Alain Guiraudie’s Mines Comedy and Melodrama in Tale of Repression and Loneliness | Cannes
Stranger by the Lake writer-director Alain Guiraudie remixes his favorite themes – loneliness, longing, unrequited love, obsession, secret, crime, coverup – once again in his... Read More
‘Everybody Loves Touda’ Review: Nisrine Erradi’s Nuanced Performance Elevates Nabil Ayouch’s Return to Form | Cannes
For over two decades, Nabil Ayouch has been a dominant force in Moroccan cinema, crafting films that have garnered both critical acclaim and international recognition.... Read More
‘Parthenope’ Review: Paolo Sorrentino is Once Again Obsessed with a Great Beauty | Cannes
Parthenope is the coming-of-age story of an impossibly beautiful woman, much as in Giuseppe Tornatore’s Malèna, who turns heads everywhere she goes. Fortunately, the titular... Read More
‘The Surfer’ Review: Nicolas Cage is at his Unhinged Best in Goofy Tragi-Comic Folly About Toxic Masculinity | Cannes
Irish filmmaker Lorcan Finnegan’s previous film Vivarium explored the horrors of suburban domesticity. His latest, The Surfer, which played out of competition at Cannes, is... Read More
‘Anora’ Review: Sean Baker’s Joyous New York City Tale Finds Love in a Hopeless Place and a Superstar in Mikey Madison | Cannes
Not every girl wants to be somebody’s princess, but anyone who does, should be given the opportunity. This is not exactly what Sean Baker wants... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10