‘The Unbearable Weight of Massive Talent’ review: Being Nic Fucking Cage [Grade: B+] | SXSW
“Who is Nicolas Cage?” It was the final question to our interview we had a couple of months back with the veteran, legendary actor in... Read More
Film Reviews
‘The Lost City’ review: Sandra Bullock and Channing Tatum charm in a cute but stale retread of familiar jungle territory [Grade: B-] | SXSW
The phrase “they don’t make them like they used to” is floated around a lot with modern art, whether it is movies, books, television, or... Read More
‘Everything Everywhere All at Once’ review: The Daniels return with an off-the-wall multiverse where Michelle Yeoh delivers her best work to date [Grade: B+] | SXSW
Life is full of difficult choices that define who we are and what our future will be. Once they are made, there is no going... Read More
‘The Batman’ review: Robert Pattinson delivers the definitive take on the caped crusader in Matt Reeves’ brooding, epic comic book crime thriller [Grade: A]
Evolution is the change of characteristics or attributes over time that builds upon the past iterations to create something better than we’ve experienced before in... Read More
‘Three Months’ review: Troye Sivan’s return to acting is in a coming of age movie with real potential [Grade: B-]
Three brutally slow, painfully lethargic months is how long Caleb (a flourishing Troye Sivan), the young Jewish man at the heart of this coming-of-age movie,... Read More
Berlinale 2022 review: Charlotte Gainsbourg shines in ‘The Passengers of the Night’ from Mikhaël Hers [Grade B-]
The Passengers of the Night opens with a title card announcing the date: May 10th, 1981. In recent French history, that day marks the election... Read More
‘Uncharted’ review: Tom Holland is more than game but this joyless adaptation should have stayed in development hell [Grade: C-]
You would think adapting a video game is an easy task. The blueprint is already made as many playable works, especially those of modern times,... Read More
Berlinale 2022 review: Vincent Lindon and Juliette Binoche are bursting with love-drenched lust in Claire Denis’ love triangle drama ‘Fire’ (aka ‘Both Sides of the Blade’) [Grade A]
A chance encounter, a glance in the right direction while flicking your hair, and it cannot be unseen: it is your former lover who you... Read More
Berlinale 2022 review: In ‘Taurus’, Machine Gun Kelly exorcizes his stardom [Grade B+]
Almost a decade after Memphis (2013) depicted the spiritual journey of musician Willis Earl Beal, filmmaker Tim Sutton returns to the sombre world of music... Read More
Berlinale 2022 review: François Ozon’s ‘Peter von Kant’ plays out as an ambitious but flat homage to Fassbinder [Grade C-]
It’s been 50 years since Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant premiered at Berlinale and to mark this anniversary, prolific French... Read More
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’ 
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin 
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool 
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]