‘Belfast’ review: With his most personal film, Kenneth Branagh delivers an entertaining, moving meditation on family and the power of love [Grade: A]
Right before his latest film screened in front of a packed audience at the Middleburg Film Festival, writer-director Kenneth Branagh explained that Belfast was a... Read More
Film Reviews
‘Dune’ review: The best blockbuster since ‘Mad Max: Fury Road’ [Grade: A]
Near the beginning of Dune, House Atreides arrives on the planet Arrakis, a desert world this noble family takes dominion over after an over 80-year... Read More
‘Night Teeth’ review: A vampire B-movie without any bite [Grade: C-]
When the words “Megan Fox” and “vampire” are involved, it should seem like any movie’s guaranteed recipe for (at the very least) b-movie fun with... Read More
‘The Velvet Underground’ review: Music doc from Todd Haynes brilliantly reintroduces important counterculture voices to a new generation [Grade: A] (Mill Valley Film Festival)
Much like the eponymous band it explores, The Velvet Underground defies documentary narrative conventions by focusing on its themes, first and foremost, letting the story... Read More
‘The Phantom of the Open’ review: Mark Rylance hits an ace in endearing sports comedy [Grade B+] (London Film Festival)
Craig Roberts’ latest sees Mark Rylance delivering the most endearing performance of the year, he is incredibly lovable. Obviously, with The Phantom of the Open... Read More
Review: ‘Detention’ (返校) tests the storytelling boundaries of video game and film [Grade: B-]
To make a successful film adaptation of a video game is to understand the strengths and limitations of both mediums. Amongst the many differences, the... Read More
‘Paris, 13th District’ review: Noémie Merlant shines in a tender, yet dreamy tale of human connection [Grade: A] (London Film Festival)
Jacques Audiard’s latest is a tender, dream-like tale about people seeking true connection. Paris, 13th District marks Audiard’s first step back to his native language... Read More
‘Ali & Ava’ review: A well-rounded, typically British, social realist study [Grade: B] (London Film Festival)
Coming off the Ruth Wilson-starring film Dark River, Clio Bernard’s new film, Ali & Ava, is a sensitive exploration of two complexly troubled people, who... Read More
‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)
When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm. Just before the pandemic sent... Read More
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW] 
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019) 
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead