TIFF Review: Céline Sciamma’s ‘Petite Maman’ gloriously captures childhood emotions and perspectives [Grade: A-]
Céline Sciamma’s follow-up to her acclaimed Portrait of a Lady on Fire is a small film with a big heart, a much quieter and restrained... Read More
Film Reviews
TIFF Review: Despite a fearless performance from Maisa Abd Elhadi, Hany Abu Assad’s ‘Huda’s Salon’ is mostly a misfire [Grade: C]
Hany Abu Assad’s return to Palestinian dramas is a mixed bag of didactic storytelling and expertly delivered thrills. A feminist thriller that is both well-meaning... Read More
TIFF Review: Asghar Farhadi hits a humanistic high with ‘A Hero’ [Grade: A]
Asghar Farhadi’s latest is one of his best, blending moral complications and social commentary to deliver an intellectual and emotional experience with a screenplay that... Read More
Venice Review: Quentin Tarantino pays tribute to Sergio Corbucci, the second-greatest spaghetti western director, in ‘Django & Django’ [Grade A-]
The literal dream documentary for every film buff, especially those who take a distinct interest in the spaghetti western side of cinema. And who better... Read More
Venice Review: David Gordon Green expands the limits of trauma with ‘Halloween Kills’ [Grade: B]
‘Evil dies tonight’, or tomorrow – that’s the motto uttered at some point by every single character in Halloween Kills, David Gordon Green’s follow-up to... Read More
Venice Review: Audrey Diwan’s abortion drama ‘Happening (L’Événement)’ bares all but leaves its lead an empty vessel [Grade C-]
The initial idea for Audrey Diwan’s Happening (L’Événement) came from a famous French autobiographical novel, written by Annie Ernaux in 2000 about her own illegal... Read More
Venice Review: Ana Lily Amirpour’s ‘Mona Lisa and the Blood Moon’ is a vibrantly stylish, yet uneven ride [Grade C+]
Ana Lily Amirpour’s latest film, after a five-year absence due to her venturing into the world of TV, will take audiences on a stylish, hipster... Read More
Venice Review: Tim Roth and Charlotte Gainsbourg seethe in the Mexican heat of Michel Franco’s ‘Sundown’ [Grade: B]
Michel Franco returns to the Lido just one year after his New Order won the Silver Lion Grand Jury Prize, premiering his latest which also... Read More
Venice Review: ‘Scenes from a Marriage’ is a worthy retread with staggering performances from Oscar Isaac and Jessica Chastain [Grade: B+]
It’s not common for me to advise readers to watch a 294-minute limited series in one go. But Scenes from a Marriage, HBO’s new Ingmar... Read More
Venice review: ‘True Things’ cements Harry Wootliff as the master of new British drama [Grade: A-]
Three years after premiering her BAFTA-nominated debut feature, Only You, British filmmaker Harry Wootliff returns to the festival circuit with True Things, a mature and... Read More
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’ 
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW] 
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]