Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
Film Reviews
When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm. Just before the pandemic sent... Read More
There’s something inherently fascinating about taking a short story and extending it to a feature film that asks for a three-hour runtime. You can sit... Read More
Play to film adaptations have always been a thing, but it seems like over the past few years they have really started to become a... Read More
In 2017, having literally moved to Lisbon in the name of soccer motherhood, superstar Madonna found herself a tad despondent. There was the fact that... Read More
While Jason Sudeikis was already an established actor in Hollywood, the mega-success of his Apple TV+ Emmy-winning comedy Ted Lasso has shot the SNL alum... Read More
Kira Kovalenko’s Unclenching of the Fists is set in North Ossetia, in the Russian Caucasus, the site of the horrific Beslan School attack of 2004.... Read More
Watching the beginning of Radu Jude’s new film, you have to remind yourself that it’s not really porn. There is actual sex on screen, but... Read More
Passing, Rebecca Hall’s debut film as a writer-director, is a studied adaptation of Nellallitea “Nella” Larsen’s eponymous 1929 novel set in Harlem, New York. The... Read More
How do you find the words to speak about the unspeakable? That’s the question at the heart of Mass, and it’s the question every reviewer... Read More

‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)
NYFF Review: Ryusuke Hamaguchi’s 3-hour ‘Drive My Car (ドライブ・マイ・カー)’ is a detailed and meticulous ride that will quietly reward your patience [Grade: B+]
‘The Humans’ review: Richard Jenkins and Jayne Houdyshell marvel in the year’s most haunting film – Nashville Film Festival [Grade: A]
Review: Madonna’s ‘Madame X’ isn’t the concert film its tour—or star—deserves [Grade: B-]
‘South of Heaven’ review: A serious Jason Sudeikis can’t lasso up the dramatic chops to save contrived story [Grade: C]
NYFF Review: ‘Unclenching the Fists’ in an uncompromising tale of female resistance from Cannes winner Kira Kovalenko [Grade: B]
NYFF Review: Radu Jude’s subversive ‘Bad Luck Banging or Loony Porn’ is a sex tape satire with an explosive climax [Grade: A-]
NYFF Review: Not everything is black and white in ‘Passing,’ the feature directorial debut of Rebecca Hall [Grade: B-]
‘Mass’ review: Ann Dowd gives the performance of her career in Fran Kranz’s breathtaking and empathetic debut feature [Grade: A]
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’