TIFF Review: Edgar Wright’s ‘Last Night in Soho’ is a clever blend of nostalgia and thrills with a dazzling performance by Anya Taylor-Joy [Grade: B+]
A commercial horror flick rather than an attempt to address deeper issues, Edgar Wright’s Last Night in Soho is an enjoyable, immersive experience with bits... Read More
Film Reviews
TIFF Review: Joachim Trier’s ‘The Worst Person in the World’ is a rich character study and one of the year’s best films [Grade: A]
In The Worst Person in the World, Joachim Trier delivers one of the year’s most introspective films that works both as a character study and... Read More
TIFF Review: Julia Ducournau’s ‘Titane’ is challenging cinema and taking it to the very edge [Grade: A-]
Julia Ducournau’s sophomore feature Titane is certainly one of the year’s most original movies and a compelling look at the transformational power of love and... Read More
Venice Review: Adam Driver and Jodie Comer shine but ‘The Last Duel’ is diminished by an uneven script and skewed perspective [Grade: C]
Cinema has often interrogated on the power and meaning of truth. What is it? How do we get to it? How do we accept it?... Read More
TIFF Review: Céline Sciamma’s ‘Petite Maman’ gloriously captures childhood emotions and perspectives [Grade: A-]
Céline Sciamma’s follow-up to her acclaimed Portrait of a Lady on Fire is a small film with a big heart, a much quieter and restrained... Read More
TIFF Review: Despite a fearless performance from Maisa Abd Elhadi, Hany Abu Assad’s ‘Huda’s Salon’ is mostly a misfire [Grade: C]
Hany Abu Assad’s return to Palestinian dramas is a mixed bag of didactic storytelling and expertly delivered thrills. A feminist thriller that is both well-meaning... Read More
TIFF Review: Asghar Farhadi hits a humanistic high with ‘A Hero’ [Grade: A]
Asghar Farhadi’s latest is one of his best, blending moral complications and social commentary to deliver an intellectual and emotional experience with a screenplay that... Read More
Venice Review: Quentin Tarantino pays tribute to Sergio Corbucci, the second-greatest spaghetti western director, in ‘Django & Django’ [Grade A-]
The literal dream documentary for every film buff, especially those who take a distinct interest in the spaghetti western side of cinema. And who better... Read More
Venice Review: David Gordon Green expands the limits of trauma with ‘Halloween Kills’ [Grade: B]
‘Evil dies tonight’, or tomorrow – that’s the motto uttered at some point by every single character in Halloween Kills, David Gordon Green’s follow-up to... Read More
Venice Review: Audrey Diwan’s abortion drama ‘Happening (L’Événement)’ bares all but leaves its lead an empty vessel [Grade C-]
The initial idea for Audrey Diwan’s Happening (L’Événement) came from a famous French autobiographical novel, written by Annie Ernaux in 2000 about her own illegal... Read More
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More 
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director 
A Guide to the 2026 Oscar-Nominated Documentary Short Films 
A Guide to the 2026 Oscar-Nominated Live Action Short Films