Somewhere in Iran, there is a bus station; a social junction where everyday commuters meet for a moment of solace. As the ongoing traffic continuously... Read More
Film Reviews
It doesn’t become clear what In Front of Your Face is really about till pretty far in, though its sheer emotional refinement means we can... Read More
It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever expect that from an Apichatpong... Read More
What does it mean to be an American? The question reverberates throughout every frame of Blue Bayou, the new film from Ms. Purple and Gook... Read More
Perhaps even more so than The Florida Project, Sean Baker’s financial and ideological investment in celluloid film pays off in Red Rocket. His latest film,... Read More
Though there was a point in time where Space Jam seemed like a singular occurrence – a bizarre, beloved, uber-90s phenomenon that unexpectedly found its... Read More
How do you solve a problem like talking about Titane? Julia Ducournau’s film is best seen blind. Really, if you haven’t watched it, you should... Read More
There is a fundamental question that lingers in the back of everyone’s mind when they hear about a new Nicolas Cage film is coming; how... Read More
After a year off, Cannes has returned with a lineup that’s an embarrassment of riches, seemingly designed to make even the most jaded cinephile feel... Read More
In the 30 years since JFK made global headlines for its excoriation of the military-industrial complex – and garnered eight Oscar nominations for its trouble... Read More

‘A Hero’ review – An effective albeit monotonous moral parable from Asghar Farhadi [Cannes Review]
‘In Front of Your Face’ review: A competent but isolating drama about dread from Hong Sang-soo [Cannes Review]
‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]
‘Blue Bayou’ review: Justin Chon’s stunning portrait of immigration and what it means to be an “American” [Cannes Review]
‘Red Rocket’ review: Simon Rex puts the come in comeback in Sean Baker’s nuanced Trump country exposé [Cannes Review]
‘Space Jam: A New Legacy’ review: More of a server jam, an uncanny valley of overused IP keeps the hybrid from being a slam dunk
‘Titane’ review: Julia Ducournau revs up the body horror in her masterfully audacious follow-up to ‘Raw’ [Cannes Review]
‘Pig’ review: Served on an unexpected meta platter comes Nicolas Cage’s career-best performance
‘La Traviata, My Brothers & I’ review: Yohan Manca’s winsome family drama is a winning debut feature [Cannes Review]
‘JFK Revisited: Through the Looking Glass’ is a dense and detailed return to the conspiracy 30 years after Oliver Stone’s masterpiece [Cannes Review]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10