“The New Yorker will be the magazine not published for the old lady in Dubuque,” editor Harold W. Ross wrote in the founding prospectus for... Read More
Film Reviews
For years, thousands of individuals in the film industry bought into the idea that female-led action movies would “never make money,” as they were supposedly... Read More
Mia Hansen-Løve’s directorial style seems to be less about style or genre and more about mood. Her 2018 travelogue romance film Maya had very little... Read More
A few weeks ago I was talking to my boyfriend and he was trying to remember the name of a hormone the brain releases that... Read More
The kind of movie which reminds you just how beguiling top-tier cinema can be, Joachim Trier’s The Worst Person in the World is a triumph.... Read More
“We’re all entitled to a sin,” one nun confesses to her attentive Sister Benedetta (Virginie Efira). And sin she indeed does, so much so that... Read More
If Columbus was a bold attempt to resurrect slow cinema with a Gen Z-friendly storyline and progressive ideas, After Yang feels like Kogonada challenging himself... Read More
“Okay, so we’re really gonna watch a cow for two hours,” a fellow attendee said, amused and skeptical, just before the 2 p.m. screening of... Read More
“I’m gonna cut myself free of you. If it’s the last thing I do.“ A horror movie with as many obvious metaphors as Till Death... Read More
It was July 19th, 2011. It was finally Monday, my day off from camp counselor duties, and my fellow Monday day off-ers and I hopped... Read More

‘The French Dispatch’ review: Wes Anderson dials up the quirk in anthological homage to journalism [Cannes Review]
‘Gunpowder Milkshake’ review: A ferociously entertaining explosion of female fury
‘Bergman Island’ review: A Mia Hansen-Løve letter on filmmaking with stellar performances from Vicky Krieps, Tim Roth and Mia Wasikowska [Cannes Review]
Retrospective: 20 Years on, ‘Legally Blonde’ is a pink, empowered reminder to be yourself
‘The Worst Person in the World’ review: Joachim Trier’s flirtatious love story might be the best film at Cannes [Cannes Review]
‘Benedetta’ review: Praise be, Paul Verhoeven’s silly and sizzling hot nun summer is here [Cannes Review]
‘After Yang’ review: Kogonada’s lo-fi sci-fi is a meditative gem propelled by Colin Farrell’s most soulful performance [Cannes Review]
‘Cow’ review: Andrea Arnold’s wordless documentary movingly focalizes the humanity of animals [Cannes Review]
‘Till Death’ review: Megan Fox has to survive the dead weight of marriage in this killer comeback
10 years ago, ‘Harry Potter and the Deathly Hallows Part 2’ taught us how to say goodbye [Retrospective]
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10