Though director Jan Matuszyńki insists Burn After Reading was the single biggest influence on his sophomore feature and Oscars entry, Leave No Traces is not... Read More
Reviews
A remake of the Oscar-shortlisted Danish film of the same name, The Guilty attempts to recreate the original’s sense of suspense and dread and partly... Read More
Quietly ruminating on what brings us together as humans, especially our need to connect as we navigate the harshness, and likely loneliness, of being alive.... Read More
England, 1924 — World War I has been over for half a decade, but for many, the wounds of the Great War are still fresh.... Read More
An interesting exploration of what it’s like to be a woman in modern-day Chad, Mahamat-Saleh Haroun’s latest and much anticipated film, Lingui, The Sacred Bond,... Read More
A commercial horror flick rather than an attempt to address deeper issues, Edgar Wright’s Last Night in Soho is an enjoyable, immersive experience with bits... Read More
In The Worst Person in the World, Joachim Trier delivers one of the year’s most introspective films that works both as a character study and... Read More
Julia Ducournau’s sophomore feature Titane is certainly one of the year’s most original movies and a compelling look at the transformational power of love and... Read More
Cinema has often interrogated on the power and meaning of truth. What is it? How do we get to it? How do we accept it?... Read More
Céline Sciamma’s follow-up to her acclaimed Portrait of a Lady on Fire is a small film with a big heart, a much quieter and restrained... Read More

TIFF Review: Poland’s Oscar entry ‘Leave No Traces’ is a sobering thriller about the state of police brutality [Grade: B]
TIFF Review: Antoine Fuqua’s ‘The Guilty’ remake delivers a superb performance from Jake Gyllenhaal but the film remains in the shadow of the original [Grade: B]
TIFF Review: Juho Kuosmanen’s ‘Compartment No. 6’ is a touching film on the essentialness of human connection [Grade: B+]
TIFF Review: ‘Mothering Sunday’ is a lusty, languid tale of death and creative rebirth [Grade: B-]
TIFF Review: Mahamat-Saleh Haroun’s abortion drama ‘Lingui, the Sacred Bonds’ is a celebration of the resilience of Chadian women [Grade: B]
TIFF Review: Edgar Wright’s ‘Last Night in Soho’ is a clever blend of nostalgia and thrills with a dazzling performance by Anya Taylor-Joy [Grade: B+]
TIFF Review: Joachim Trier’s ‘The Worst Person in the World’ is a rich character study and one of the year’s best films [Grade: A]
TIFF Review: Julia Ducournau’s ‘Titane’ is challenging cinema and taking it to the very edge [Grade: A-]
Venice Review: Adam Driver and Jodie Comer shine but ‘The Last Duel’ is diminished by an uneven script and skewed perspective [Grade: C]
TIFF Review: Céline Sciamma’s ‘Petite Maman’ gloriously captures childhood emotions and perspectives [Grade: A-]
Utah Film Critics Association (UFCA) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead
Women Film Critics Circle (WFCC) Winners: ‘Hamnet,’ ‘If I Had Legs I’d Kick You’ Lead
Philadelphia Film Critics Circle (PFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Fight It Out
Boston Online Film Critics Association (BOFCA) Winners: ‘One Battle After Another,’ Wagner Moura, Rose Byrne and More