Joel Coen’s The Tragedy of Macbeth premiered at the New York Film Festival with little fanfare—a morning screening, a press conference with COVID-induced microphone restrictions,... Read More
Reviews
To this day, I still feel a close kinship with the disenfranchised, strung-out, narcoleptic gay hustler of Gus Van Sant’s My Own Private Idaho. The... Read More
A trilogy first published in the 1950s, Isaac Asimov’s sprawling narrative spans millennia, follows tyrannical galactic dynasties, imagines opaque and cult-like religions, depicts advanced technology... Read More
It’s been 16 months since the last episode of U.S. Survivor, and Jeff Probst and company aren’t pretending otherwise. From the start of the Survivor... Read More
From the moment the Dear Evan Hansen trailer debuted a couple of months ago, it was marred with controversy. Fans of the show and casual... Read More
“Dear God, it’s all so tragic And I’ll never have the chance To feel the closure that I ultimately need…” These are some of the... Read More
Even before it reached Western shores for its premiere as the closing night film of the Toronto International Film Festival, Zhang Yimou’s One Second was... Read More
Julie Cohen and Betsy West’s Julia opens with a clip of Julia Child introducing her TV audience to “the chicken sisters,” the six headless fowl... Read More
At the center of our story stands an apartment building, fully wrapped in blue tarp. We see many buildings of identical structure, but only this... Read More
Brazilian filmmaker Alexandre Moratto creates a highly effective, if uneven, picture on the devastating working conditions in his homeland, capturing both the dreams crushed by... Read More

‘The Tragedy of Macbeth’ NYFF review: A beautiful film, full of sound and fury, signifying nothing [Grade: B]
‘My Own Private Idaho’ at 30: Revisiting the seminal arthouse indie through the eyes of a lonely, horny teenager [Retrospective]
TV Review: With ‘Foundation,’ AppleTV finds its ‘Game of Thrones’ [Grade: A]
Previously on…”Survivor” recap: S41 E1 – “Come on in, folx”
‘Dear Evan Hansen’ review: The renowned Broadway musical becomes a tone deaf examination of teenage anxiety [Grade: D-]
‘Glitter’ 20 years later: How its legacy and Mariah Carey have continued to shine
TIFF Review : Zhang Yimou’s ‘One Second’ offers a charming, if compromised, love letter to cinema [Grade: B]
TIFF Review: With ‘Julia,’ Julie Cohen and Betsy West whip up a charming confit of cooking’s most fearless and unlikely personality [Grade: A]
TIFF Review: ‘The Falls’ (瀑布) is a tense, touching portrait of love and empathy [Grade: A]
TIFF Review: Alexandre Moratto’s ‘7 Prisoners’ is a compelling and harrowing look at modern-day slave trade [Grade: B+]
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater First American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
A Guide to the 2026 Oscar-Nominated Animated Short Films