‘Where is Anne Frank?’ review: Heavy handed and overly preachy, Ari Folman’s visually stunning animated tale fails to compel [Cannes Review]
In the good ol’ days of primary school, back when we used to live freely with not a single care in the world, every student... Read More
Reviews
‘A Hero’ review – An effective albeit monotonous moral parable from Asghar Farhadi [Cannes Review]
Somewhere in Iran, there is a bus station; a social junction where everyday commuters meet for a moment of solace. As the ongoing traffic continuously... Read More
‘In Front of Your Face’ review: A competent but isolating drama about dread from Hong Sang-soo [Cannes Review]
It doesn’t become clear what In Front of Your Face is really about till pretty far in, though its sheer emotional refinement means we can... Read More
‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]
It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever expect that from an Apichatpong... Read More
‘Blue Bayou’ review: Justin Chon’s stunning portrait of immigration and what it means to be an “American” [Cannes Review]
What does it mean to be an American? The question reverberates throughout every frame of Blue Bayou, the new film from Ms. Purple and Gook... Read More
‘Red Rocket’ review: Simon Rex puts the come in comeback in Sean Baker’s nuanced Trump country exposé [Cannes Review]
Perhaps even more so than The Florida Project, Sean Baker’s financial and ideological investment in celluloid film pays off in Red Rocket. His latest film,... Read More
‘Space Jam: A New Legacy’ review: More of a server jam, an uncanny valley of overused IP keeps the hybrid from being a slam dunk
Though there was a point in time where Space Jam seemed like a singular occurrence – a bizarre, beloved, uber-90s phenomenon that unexpectedly found its... Read More
‘Titane’ review: Julia Ducournau revs up the body horror in her masterfully audacious follow-up to ‘Raw’ [Cannes Review]
How do you solve a problem like talking about Titane? Julia Ducournau’s film is best seen blind. Really, if you haven’t watched it, you should... Read More
‘Pig’ review: Served on an unexpected meta platter comes Nicolas Cage’s career-best performance
There is a fundamental question that lingers in the back of everyone’s mind when they hear about a new Nicolas Cage film is coming; how... Read More
‘La Traviata, My Brothers & I’ review: Yohan Manca’s winsome family drama is a winning debut feature [Cannes Review]
After a year off, Cannes has returned with a lineup that’s an embarrassment of riches, seemingly designed to make even the most jaded cinephile feel... Read More
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance 
Denver Film Critics Society (DFCS) Awards: ‘Sinners’ Tops Wins with Film and Director 
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance 
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions