‘Bergman Island’ review: A Mia Hansen-Løve letter on filmmaking with stellar performances from Vicky Krieps, Tim Roth and Mia Wasikowska [Cannes Review]
Mia Hansen-Løve’s directorial style seems to be less about style or genre and more about mood. Her 2018 travelogue romance film Maya had very little... Read More
Reviews
‘Ted Lasso’ season 2 review: the ever-evolving hit comedy scores another goal and doesn’t miss a beat
Ted Lasso, a compassionate, mustache-wearing, charming coach, is back with the AFC Richmond team. Following the critically acclaimed success of the Apple TV series, the... Read More
‘Never Have I Ever’ season 2 review: Mindy Kaling’s coming-of-age dramedy is still charming and even more life-affirming
When the first season of Never Have I Ever debuted on Netflix last year, people expected it to be a raunchy, hilarious teen rom-com with... Read More
Retrospective: 20 Years on, ‘Legally Blonde’ is a pink, empowered reminder to be yourself
A few weeks ago I was talking to my boyfriend and he was trying to remember the name of a hormone the brain releases that... Read More
‘The Worst Person in the World’ review: Joachim Trier’s flirtatious love story might be the best film at Cannes [Cannes Review]
The kind of movie which reminds you just how beguiling top-tier cinema can be, Joachim Trier’s The Worst Person in the World is a triumph.... Read More
‘Benedetta’ review: Praise be, Paul Verhoeven’s silly and sizzling hot nun summer is here [Cannes Review]
“We’re all entitled to a sin,” one nun confesses to her attentive Sister Benedetta (Virginie Efira). And sin she indeed does, so much so that... Read More
‘After Yang’ review: Kogonada’s lo-fi sci-fi is a meditative gem propelled by Colin Farrell’s most soulful performance [Cannes Review]
If Columbus was a bold attempt to resurrect slow cinema with a Gen Z-friendly storyline and progressive ideas, After Yang feels like Kogonada challenging himself... Read More
‘Cow’ review: Andrea Arnold’s wordless documentary movingly focalizes the humanity of animals [Cannes Review]
“Okay, so we’re really gonna watch a cow for two hours,” a fellow attendee said, amused and skeptical, just before the 2 p.m. screening of... Read More
‘The White Lotus’ review: Incisive and heartfelt as ever, Mike White astonishes all over again with his latest HBO outing
Filmed in a quarantine bubble at a Hawaiian resort last year The White Lotus — which is Mike White’s first new show since the brilliance of Enlightened disappeared far... Read More
‘Till Death’ review: Megan Fox has to survive the dead weight of marriage in this killer comeback
“I’m gonna cut myself free of you. If it’s the last thing I do.“ A horror movie with as many obvious metaphors as Till Death... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10